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Electrosonic Breathes Lives Into “Scotland’s Time Lords” at Our Dynamic Earth

Los Angeles, CA, USA (January 5, 2014) – Fifteen years after providing the complete audio-visual system for the Our Dynamic Earth attraction, Electrosonic returned to help the science center bring “Scotland’s Time Lords” to life.  Electrosonic was charged with the design and systems integration of the AV elements, under subcontract to Studio MB, engineering the new exhibition with reliable components within a simple system architecture.

“Scotland’s Time Lords” introduces visitors to the Scottish scientists who laid the foundation for the modern paradigm of plate tectonics.  Three new interlinked galleries take visitors from an 18th century themed classroom with magic blackboards and talking portraits back through Deep Time to the Big Bang and beyond.  Visitors learn the impact of James Hutton and Arthur Holmes on the evolution of earth science, and celebrate the fact that scientific discovery is at the heart of Scottish culture.

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The journey begins when the visitor passes through oak paneled doors and steps into a 19th century styled lecture room. Eminent geologist and ‘first Time Lord’ James Hutton demonstrates his theories on how the Earth was formed while large blackboards with animated imagery and text stand on either side. Hutton appears to be in the room through an application of the Pepper’s Ghost technique; his image is actually presented on a horizontally-mounted 63-inch Samsung LCD screen.  He’s flanked by blackboard-style projection screens, fed by Optoma projectors, illustrating his talk.  Portraits of later geologists, all with Scottish ties, are actually 55-inch Samsung LCDs, which come to life to comment on the importance of Hutton’s insights.

The second section looks at the contributions of Arthur Holmes, a professor of geology at Edinburgh University in 1942, whose studies led to the concept of plate tectonics.  Visitors view a suspended globe presenting animations explaining plate tectonics and their relevance to earthquake and volcano zones.  The globe is a Puffersphere, which uses a ceiling-mounted projectiondesign F32 video projector with a custom lens to project onto the internal surface of the sphere; a computer plays out source images and provides the geometric corrections required to deliver distortion-free images on the globe’s surface.

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The Deep Time Machine comprises the third and final portion of the new exhibits.  Styled as a large elevator operated by an AMX controller, the gallery transports visitors back in time to the Big Bang, showcasing giant images on 55-inch Samsung LCDs.  In a collaboration between Our Dynamic Earth and ISO, new footage offers visitors the chance to witness the development of the universe and the early days of Earth.

When the “elevator doors” open at the conclusion of the journey, visitors exit to the science center’s existing spaceship-themed “How It All Started” show which features a new film produced by National Space Centre Creative (NSC Creative).

Audio equipment for the “Scotland’s Time Lords” exhibit includes Tannoy loudspeakers, Cloud and RSF amps and AMX Precis signal processing.

Most source and control equipment is housed in the existing AV racks in the central control room.  HD players for the Time Machine are adjacent to the displays they serve.

The new exhibition was designed by award winning Edinburgh-based exhibition and interpretive design team Studio MB, and the fit-out contractor was Paragon Creative. Show content was conceived by Studio MB and produced by ISO Design of Glasgow. Project management and contract administration was also by Studio MB.  Electrosonic supported the project through its local Edinburgh office.

www.electrosonic.com

2015 IMERSA Summit Program Advertising

DEADLINE: JAN 22nd, 2015

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Click to browse the 2014 IMERSA Program found in InPark Magazine

The IMERSA Summit in Denver (Feb 25-Mar 1) inspires ongoing conversation about immersive digital cinema for entertainment, education, research science and arts. Each attendee receives an official program guide detailing the conference schedule, film showings, and speaker bios.

Advertisers receive high visibility for the duration of the Summit to key leaders in the immersive spaces industry.

Why advertise in the IMERSA Summit Program?

•Distribution to the industry: In addition to the print edition available at the summit, the Program will be posted online for download and viewing before and after the Summit

•Congratulate Ian McLennan on his Lifetime Achievement Award

•Showcase your products or services, technology or content

How much does it cost?

A wide variety of ad sizes are available:

Business Card $150
Quarter Page $300
Half Page Vertical $500
Half Page Horizontal $500
Full Page $750
2-Page Spread $1300
2-Page Center Spread $1500
Front Cover Inside $1000
Back Cover Inside $1000
Back Cover Outside $1500

ADVERTISING ORDER FORM – 2015 IMERSA Summit Program

Payment Method(required)

Email Martin with any questions

Cornell Theme Park Engineering Group Calling for Entries for Entrepreneur Competition

Ithaca, NY, USA — The Theme Park Entrepreneur Competition hosted by the Cornell University Theme Park Engineering Group will take place next month away.  Registration is officially open for the competition along with information about the structure at the Competition’s website under the TPEC 2015 tab:

www.cornelltpeg.co.nr

Registration will close on the 28th of January but please sign up as soon as possible so organizers can get a projected size of the competition.

Competition Details

Teams will consist of 2-4 students of any major at any college (A wide variety of experience is encouraged).  Multiple teams will be allowed per college if desired.  Teams will be asked to make a 5 year plan for the development of a theme park focusing on design, layout, and intended demographic to make the most successful theme park given a certain plot of land.  This plot of land may be either a new area or a defunct theme park.  Teams will be given a certain restriction of amount of rides and will be asked to provide extra details about certain rides.  Teams will also be asked to create a branding for their park specifying how they would intend to attract guests with different holidays, special events, themed areas, etc..  Justification for the types of rides, layout of the park, theming/advertising of the park, and financial viability of the park will be required for each aspect of the proposed park.  Each park will be judged on the four criteria listed on the website.

Spread the Word

In order to prepare for the competition and spread the word, Facebook and Twitter pages have been created on which organizers will be releasing exclusive hints about the details of the competition including the site the competition will focus on and tasks that they will be asking competitors to do.  Please spread the word to anybody you think would be interested, more people means a more successful and legitimate competition.  The links are below:

https://www.facebook.com/CornellTPEG

Twitter: @TPEGCornell

Sponsors and Judges

Additionally organizers are in the process of arranging judges and prizes for the competition. They ask that anyone with connections that may be helpful in making this competition a success to please let them know who they are and how we may contact them.

Reynold’s Polymer Builds World’s Tallest Cylindrical Aquarium in Moscow

Grand Junction, CO, USA — For many a mind’s eye, Moscow is linked to images of historic Yaroslavl domes and perma-frosted windows. However, the city of the Red Square is now home to the largest indoor shopping mall in all of Europe—Avia Park. The principal landmark at Avia is nothing less than the tallest cylindrical aquarium in the world—a raised transparent column, filled with thousands of gallons of ocean, and constructed of R-Cast acrylic.

Visually, the aquarium at Avia Park can be described as four stories of animated sculpture, home to 2,500 specimens of fish and majestic, spiraling Red Sea reef. Structurally, however, the attraction is more a model of precise engineering than aesthetic craft. What appears to be a single column actually consists of 21 separate panels of R-Cast chemically bonded into seven sections that weigh as much as 13 tons each.

All told, the aquarium is 75 feet tall, 20 feet in diameter and holds 98,000 gallons of salt water. To contain such pressure, the walls were engineered to be up to eight inches thick, requiring a total of 55 metric tons of acrylic. “The tank is deep enough to require decompression stops for the divers who clean it,” explained George Papoutsoglou, Sales Representative for RPT. “This is no run-of-the-mill project, even by RPT standards. Avia Park is extraordinary.”

“This project involved the world’s tallest cylindrical aquarium in Europe’s largest mall in Russia’s largest city,” said Matt Houlihan, Vice President of RPT. “This is the type of high-profile project that our team excels in. I truly believe Reynolds Polymer Technology to be the most dynamic company in the industry.”

The aquarium project was produced by International Concept Management, a renowned firm that has partnered with RPT on several projects in the past including the AquaDom, Scheels All Sports, and Morocco Mall.

Reynolds Polymer Technology has also recently added a cutting-edge research and development laboratory onto their US facility. Three specialty diagnostic instruments will now allow technicians to gain valuable knowledge about polymer properties and accurately predict material reactions. Constant testing during the manufacturing process will now ensure improved quality standards and open the door for new materials and properties.

In its US manufacturing plant, RPT has already realized an increase in the amount of monolithic acrylic that is being produced, both as a result of the recent expansion and in response to industry demand. Because RPT is committed to providing customers with superior quality R-Cast acrylic, every piece of product is tested using the Differential Scanning Calorimeter (DSC) and Dynamic Mechanical Analyzer (DMA), allowing laboratory technicians to constantly evaluate polymer grade. Test results will be used to assist in autoclave success and improve material performance during the polymerization and thermoforming process. This objective information will also serve as a supplementary layer of quality control.

Preliminary research to further improve the production process has also begun. The Dielectric Analyzer runs tests to monitor autoclave efficiency. Lab technicians are confident in designing a new system that will increase efficiency and decrease production time. In an effort to stay “way beyond ordinary,” other projects will include experimenting with next generation resins and chemical redesigns to develop new, more robust polymer properties.

“The future of Reynolds Polymer Technology will greatly benefit from our investment in this new technological resource,” commented Mark Johnson, Vice President of Business Development, “with the amount of large projects on our plate it will be monumental to develop faster production processes while maintaining optimal quality standards.”

www.reynoldspolymer.com

GSCA Announces 2015 Officers and Chairs

ABOVE: L to R: The GSCA’s Eileen Pheiffer, Tammy Seldon, and Kelly Germain at ASTC 2014.

Holly Springs, NC, USA — The Giant Screen Cinema Association (GSCA) is pleased to announce the 2015 officers elected by the GSCA board of directors, as well as chairs appointed to GSCA committees.

Officers, who will serve for a one-year term, are as follows: Gordon Stalans from the Tennessee Aquarium will serve as Chair. Mark Katz from National Geographic Studios will serve as Vice Chair. Jonathan Barker of SK Films will continue to serve as Secretary, and Berend Reijnhoudt of Omniversum will continue to serve as Treasurer.

The seven-member Executive Committee includes the four officers and three additional board members representing GSCA’s membership categories. In addition to the officers, the 2015 Executive Committee will include Kim Cavendish of the Museum of Discovery and Science representing theaters; Daniel Ferguson of Comic Picture representing distributors and producers; and Mike Lutz of IMAX Corporation representing manufacturers, suppliers, and other related businesses.

The GSCA 2015 Governance Committee includes Jonathan Barker of SK Films, who will also serve as Chair of that committee; Gordon Stalans of the Tennessee Aquarium; Diane Carlson of the Pacific Science Center; Kim Cavendish of the Museum of Discovery and Science; and Laurent Dondey of La Geode.

The 2015 Committee Chairs are as follows. The Conference Committee will be co-chaired by Glenn Shaver of the Ontario Science Centre and Tammy Seldon, GSCA’s Executive Director. Derek Threinen of Giant Screen Films/D3D Cinema will chair the Marketing and Member Services Committee. The Technical Committee Chairs are Tim Hazlehurst of Marbles Kids Museum and Martin Howe of TEQ4. Daniel Ferguson of Cosmic Picture and Andy Zakrajsek from COSI will chair the Professional Development Committee. And the Lifelong Learning Committee will be chaired by Alan Nursall of the TELUS World of Science-Edmonton.

The GSCA Board has also appointed Andrew Oran of FotoKem to fill the board seat vacated by Rick Gordon of RPG Productions, who submitted his resignation to the GSCA board in December. Oran will serve the remaining year of Gordon’s term through 2015.

As previously announced, the following were elected to the 2015 GSCA board of directors:

Representing Institutional Theaters:

  • –Kim Cavendish, Museum of Discovery and Science
  • –Alan Nursall, TELUS World of Science-Edmonton
  • –Berend Reijnhoudt, Omniversum
  • –Glenn Shaver, Ontario Science Centre
  • –Gordon Stalans, Tennessee Aquarium

Representing Distributors:

  • –Jonathan Barker, SK Films
  • –Mark Katz, National Geographic Studios

Representing Producers:

  • –Daniel Ferguson, Cosmic Picture
  • –Phil Streather, Principal Large Format

Representing Manufacturers, Suppliers, and Other Related Businesses:

  • –Mike Lutz, IMAX Corporation

They will join the following board members, who still have one year left on their board term:

  • –Michele Canto, Canadian Museum of History
  • –Diane Carlson, Pacific Science Center
  • –Laurent Dondey, La Geode
  • –Tim Hazlehurst, Marbles Kids Museum
  • –Bob Harman, MacGillivray Freeman Films
  • –Martin Howe, TEQ4
  • –Shaun MacGillivray, MacGillivray Freeman Films
  • –Andrew Oran, FotoKem
  • –Derek Threinen, Giant Screen Films/D3D Cinema
  • –Lisa Truitt, THINK Creative
  • –Paul Wild, IMAX Victoria in the Royal BC Museum

The Euromax representative on the GSCA board of directors is Julien Bollee, Bollee Productions.

www.giantscreencinema.com

Giant Screen Film “Journey to Space” Unveils Poster and Trailer

Evanston, IL, USA — K2 Communications and Giant Screen Films are proud to unveil the theatrical trailer and poster for Journey to Space, launching worldwide in February 2015.

unnamed (28)Journey to Space is a celebration of space exploration, a tribute to international cooperation in space research and a vision toward our near-term future beyond Earth’s orbit – a manned mission to Mars within a generation.  The film is a capstone space film, building on the groundbreaking and seminal giant screen space productions of the past 30 years—films that are themselves a part of our proud history in space, beautifully and inspiringly chronicling the space shuttle orbiter program, MIR, the International Space Station and the Hubble telescope.  Journey to Space recognizes these accolades in the context of our future in space, what we’ve learned, and how to apply this knowledge to deep space missions.  The film takes audiences on a behind-the-scenes tour of the international effort to send astronauts to Mars within the next 20 years, culminating in a virtual voyage to the Red Planet.  Dazzling and meticulous computer imagery from Frima Studios depicts the Orion spacecraft, habitats, landers, vehicles and rockets necessary to achieve interplanetary travel, touchdown and colonization.

The film has already received notable press coverage in conjunction with NASA’s successful Orion test launch in early December.  Numerous online news publications ran a story on the Journey to Space production and timeliness of the topic, reaching over 60 million readers.

“I believe that Journey to Space will be a surefire hit in the museum cinema market, given the enthusiasm by theaters that have seen the film and the historic excitement for space topics in this medium.  We’re tracking for a launch at well over 50 theaters in its first year of release,” said Don Kempf, President of Giant Screen Films and producer of Journey.  “Recent films like Interstellar and Gravity have really rejuvenated interest in hard science fiction at museum theaters.   Journey to Space taps into the same human fervor and fascination that makes science fiction so popular, our unquenchable drive to explore and discover what lies beyond.  This film, though, is not fiction.  Mars is the next step in what will be an unending human odyssey to explore the cosmos.  Journey to Space is about the next chapter.”

Bob Kresser, CEO of K2 Communications and executive producer of the film, agrees:  “Our grandparents and parents defined a moonshot – and the resulting Apollo program was a magnificent accomplishment for science and humankind. For the past generation, the space shuttle and space station programs have provided the technology and know-how to take the next great leap into space.  The next moonshot, the moonshot for today’s young astronauts, is to touch the face the Mars!  We set out to produce a film that inspires kids today, that instills an appreciation for the magnitude of our space ventures from years past in the context of what their generation is poised to accomplish.  We are passing the baton.  We are going to Mars!”

Journey to Space, presented by Toyota and Boeing, is an immersive 2D and 3D film produced by K2 Communications and Giant Screen Films.  It is directed by large-format veteran Mark Krenzien.  Additional production support and consultation was provided by The Smithsonian Institute, The Kennedy Space Center, the California Science Center and NASA.  The Educator Guide was produced in partnership with the California Science Center.

Contact K2 Communications or Giant Screen Films for more information or booking inquiries.

www.k2communications.com

www.gsfilms.com

Electrosonic Brings New Configuration and Systems to ShowDome at Our Dynamic Earth

Los Angeles, CA, USA — The ShowDome at Our Dynamic Earth (ODE) in Edinburgh has been transformed with support from Electrosonic, which provided refurbishment and technical upgrades to one of Scotland’s premier destination visitor attractions.  In a two-phase project, Electrosonic has given the space a full-dome projection upgrade, a new theater layout, 106 new seats, and a state-of-the-art server and content management system.

ODE showcases earth science by taking visitors on a journey through our planet’s past, present and future through interactive exhibits and a stop in the 14-meter ShowDome theater, which originally opened in 1999.

“The client came to us for our ideas and proposal, which we developed with them,” says Electrosonic project manager Phil Downie. “The objectives were to upgrade the theater to provide a higher-quality feel and experience for the audience, and to increase the flexibility of show playback and show management. The solution was to increase the capacity available to store shows ready for playback, improve the efficiency of the ‘workflow’ of the show data, increase the level of control for planetarium systems, and to have a wireless touch-panel interface.”

Phase one of the project included replacing the former projection system with a system featuring five channels of LED projection. The existing seating was removed, the floor was reinforced and new tiered flooring was installed along with 106 premium seats, provided by Euro Seating, in a new forward-facing configuration.  A stage was built at the front of the theater to support the needs of staff, corporate guests and presenters.

Electrosonic also supplied new Philips lighting systems, including LED washes for scenic and mood effects, and spotlights for floor highlighting and on the stage.  An insert projector display was added for digital presentations; a control system with an Apple iPad interface manages all media, lighting, audio and display hardware within the dome.

“The refurbishment delivered a higher-quality theater with the capability to provide ambience and mood and, thus, an enhanced audience experience,” says Downie.  “The ShowDome is also capable of more diverse applications with a stage for presentations and performances.”

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In the second phase of the project, two 7thSense media server systems feed the projection of full-dome films inside the theater.   One of the servers represents a new configuration, which eliminates the requirement for time-consuming slicing and encoding of large, full-dome masters for a multi-channel dome display.

“The new server improves the efficiency of the ‘workflow’ of the show data in several ways,” Downie notes.  “Slicing the shows into each channel is no longer needed, and when storing the shows for back up, only the masters have to be stored.  There are no sliced channel files, which hugely reduces the storage required.”

Because the media server plays shows directly from a large amount of primary storage, it can play from a large selection of archived shows – up to 35 30-minute shows in 3K format.  This eliminates the need to move shows from a second-tier storage.

But should more storage be needed, a secondary NAS server can easily be added with a capacity starting at 36TB.  Transferring shows from secondary to primary storage now requires moving only one set of masters, which takes considerably less time than moving five channels of carved video.

A new control interface allows portable touch control with multiple access layers.  This provides control that can be limited to turning lights on and off, or extended through show control and full administrator access to the equipment and setup of shows.  A main rack room houses equipment.

The ShowDome is currently presenting “Supervolcanoes,” an immersive planetarium show that looks back at rare classes of volcanic eruptions and moves beyond Earth to explore the impact of giant eruptions around our solar system. The film visits Yellowstone National Park asks the question: can a supervolcano erupt in our time?

Aspect performed the carpentry and theater fit out.

www.electrosonic.com

Former Dragone Executive François Girard Joins Thinkwell as VP Global Business Development

[quote]As part of the overall growth strategy for the company, François Girard brings immeasurable expertise in location-based experience and entertainment projects worldwide.” — Joe Zenas, CEO of Thinkwell[/quote]

BURBANK, CALIF. (January 5, 2015) Thinkwell Group, a worldwide experience design and production agency specializing in the creation of theme parks, major attractions, events, museums, exhibits, expos and brand experiences around the world, announced today the appointment of François Girard to senior vice president of global business development. Girard joins Thinkwell after serving as senior vice president of development and strategy for Belgium-based Dragone, founded by renowned theatre creator/director Franco Dragone. Prior to Dragone, Girard worked as a professional consultant to Fortune 500 companies in the corporate strategy practice of Deloitte Consulting in Canada.

At Dragone, François served on the company’s executive committee and led the development and negotiation of more than €250 million in show productions value in the Americas, Asia, Middle East and Europe. Selected projects include: Le Rève at Wynn Las Vegas, House of Dancing Water and Taboo at City of Dreams in Macau, Lido in Paris, Han Show in Wuhan, Story of a Fort at Qasr Al Hosn in Abu Dhabi and the 2014 FIFA World Cup Opening and Closing Ceremonies in Brazil.

François Girard will bring his business acumen to the development of major new projects for Thinkwell Group, working with the company’s offices in the Middle East and China.

“I am truly excited and honored to join Thinkwell, an established leader in experience design with an impressive spectrum of capabilities, a dynamic creative energy and a positive culture of collaboration. I have the chance to join a company built on strong foundations with a long list of prestigious clients and projects all around the globe,” said François Girard on his appointment.

Thinkwell also announced today the hiring of the company’s 200th employee, a significant achievement for the independent experience design and production company. “We’re fortunate to have experienced such substantial growth and stability with new projects in the museum, zoo, theme park, and corporate branding center sectors,” said François Bergeron, Thinkwell Chief Operating Officer. “With the opening of our business entity and office in Beijing, the promotion of Kelly Ryner to president of Thinkwell Asia, and our operations in the United Arab Emirates, we are expanding and investing in Thinkwell’s future in a major way.”

Ewan McGregor Dives Into Newest Role as Narrator of MFF’s “Humpback Whales”

Los Angeles, CA, USA — MacGillivray Freeman Films (MFF) has announced that two-time Golden Globe nominee, Ewan McGregor, will narrate Humpback Whales, an underwater 3D adventure documentary for IMAX and other giant-screen theaters directed by two-time Academy Award-nominated filmmaker Greg MacGillivray (The Living Sea, Dolphins, Everest). The film, presented in association with Pacific Life, will be released beginning February 13th, 2015.

Legendary documentary filmmakers, MacGillivray Freeman Films, bring their exhilarating giant-screen storytelling to one of the most enormous and vastly fascinating creatures on earth in Humpback Whales – an immersive ocean adventure that invites audiences to dive first-hand into the mysterious realm of these 55-foot, 50-ton aquatic mammals. In a splashing, gliding, musical mix of 3D imagery, underwater splendor and scientific exploration, the film asks the compelling question: what might life be like from a humpback’s point of view.  Once feared as monsters, and very nearly hunted to extinction, today humpbacks are in the midst of a slow but remarkable recovery.

Humpback Whales marks the prolific large-format film company’s first entertainment-focused film exclusively on whales. The MacGillivray Freeman Films team took it as an occasion to apply all of their cumulative cinematic experience to the telling of one of the most compelling wildlife stories of our time: how humpbacks were brought back from the brink of destruction to set off a new wave of scientific discovery and human fascination with their one-of-a-kind, gargantuan beauty.

“We are thrilled to have Ewan McGregor narrate Humpback Whales,” says Director Greg MacGillivray.  “He is a tremendous talent and his passionate narration will help to bring the audience on this incredible immersive journey with these complex and astounding creatures.  We hope the film excites and inspires people to better understand the humpback whale, as this mammal is critical to the ecological health and survival of the ocean.”

“We are proud to be part of bringing this film to life and helping to educate the public about these truly amazing animals,” said Tennyson Oyler, Vice President of Brand Management & Public Affairs for Pacific Life.  “Our partnership with Humpback Whales helps showcase that the whale is more than just a company logo for us. It demonstrates our ongoing commitment to the future.”

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Often hailed as one of the finest actors of his generation, Ewan McGregor consistently captivates audiences with a diverse line-up of roles across a multitude of genres, styles and scope. From his breakthrough role as the heroin-addicted Mark Renton in Irvine Welsh’s Trainspotting, to the legendary “Obi-Wan Kenobi” in Star Wars Episode I: The Phanton Menace, to starring as “Christian” opposite Nicole Kidman in the Oscar and BAFTA award-winning musical Moulin Rouge, McGregor’s career has been highlighted by a continuous string of bold and daring performances. McGregor can currently be seen on stage, making his Broadway debut as “Henry” in Tom Stoppard’s Tony® Award-winning play “The Real Thing,” directed by Sam Gold, opposite Maggie Gyllenhaal. The play opened on October 30, 2014 and will run until January 4th, 2015 at the American Airlines Theatre in New York.

McGregor’s upcoming film roles include Mortdecai the film adaptation of Kyril Bonfiglioli’s book “The Great Mortdecai Moustache Mystery,” opposite Johnny Depp. Lionsgate is set to release the film on January 23rd, 2015. He is upcoming in Rodrigo Garcia’s Last Days in the Desert which is set to premiere at the Sundance Film Festival in January. He will also star in Gavin O’Connor’s Jane Got a Gun, out September 4, 2015, where he plays the leader of an outlaw gang. The film also stars Natalie Portman and Joel Edgerton. Among McGregor’s additional upcoming film roles are the action crime-drama Son of a Gun where he plays a notorious criminal who has escaped from prison, and the political thriller Our Kind of Traitor opposite Stellan Skarsgard as well as Don Cheadle’s Miles Davis biopic. McGregor is a devoted and influential philanthropist, and serves as a Goodwill Ambassador for UNICEF UK, a non-profit organization dedicated to providing long-term humanitarian and developmental assistance to children and mothers in developing countries.​​

www.macgillivrayfreemanfilms.com

Giant Screen Film “D-Day: Normandy 1944” Wins Two European Lumiere Awards

ABOVE: left to right: Jason Goodman (21st Century 3D),”D-Day: Normandy 1944″ Producer Sylvain Grain (N3D LAND Films), Prof. Jacques Verly (University of Liege) & Jim Chabin (International 3D Society)

Los Angeles, CA, and London,UK — 3D Entertainment Distribution and N3D LAND Films are delighted to announce that “D-Day: Normandy 1944” was honored with two Lumiere Awards – Europe from the prestigious International 3D & Advanced Imaging Society (I3D&AIS) for “Best 3D Documentary” and  “Stereography – Animated” during the recent sixth 3D Stereo Media summit held in Liege, Belgium. This brings the current total to an impressive 9 awards for the film.

From left to right: Jason Goodman (21st Century 3D),”D-Day: Normandy 1944″ Producer Sylvain Grain (N3D LAND Films), Prof. Jacques Verly (University of Liege) & Jim Chabin (International 3D Society).

Every year, the I3D&AIS recognizes outstanding member achievement in the 3D Creative Arts and Technologies at its top-tier 3D Awards events. This marks the second time the Society has recognized N3D LAND Films, following its “Best 3D Documentary” award win for “Sea Rex: Journey to a Prehistoric World” in 2012.

In addition to the two Lumieres, “D-Day: Normandy 1944” continues to wow audiences around the globe, garnering top prizes at the following film festivals:

“Grand Prize”, Dimension 3 Festival (Paris, France)
“Feature Film Grand Prize”, 3D Korea International Film Festival (Seoul, Korea)
“Best Documentary – Short”, 3D Image Festival (Lodz, Poland)
“Best Film for Lifelong Learning”, “Best Original Score”, “Best Sound Design” and “Best Visual Effects”, GSCA Achievement Awards (Toronto, Canada)

“D-Day: Normandy 1944” has become one of the most acclaimed Giant Screen documentaries in recent history as it continues its highly-successful domestic and international rollout into 2015, the 70th anniversary of the end of World War II.

A list of key commemorative dates for the general public and exhibitors is now available online at http://en.dday-normandy1944. com/D-Day-Normandy-1944-le- film/key-dates-56.html