The clam shell vehicle loading area looks out directly onto the midway and is an appealing “sell” for the ride.
In the “Under the Sea” scene, Ariel dances while her hair, impressively animated, floats above her head as though submerged.
It’s hard not to tap your toe to the music, or even sing along a bit. The technology may be fairly “standard” but the emotional connection most people have to the music (and the story) is pretty intense.
Ursula is pretty intense herself.
Some people have complained that Ursula’s scene is too scary for some children, but I didn’t find it anymore threatening than any other Disney dark ride villain. It also is short and sandwiched between more upbeat scenes.
The ride is short and moves quickly through the story of The Little Mermaid, but the narrative is easy to follow and has some memorable moments.
Proving once again that hi definition digital projection is here to stay, fireworks that might at one time have been created with fiber optics are now realistically projected into the scene.
Naturally, there is a happy ending for The Little Mermaid, and the delightful journey comes to an end.
Dec 18, 2018 0
Dec 14, 2018 Comments Off on IAAPA Expo 2018 roundup
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