Latest News
- SimEx-Iwerks Builds the Ultimate Treehouse for Bronx Zoo
- Polin Receives WWA Leading Edge Award fro Legends of Aqua Waterpark
- ADG’s Twin Tides Dual Entry Wave Pool Earns Leading Edge Award While CEO Is Inducted Into WWA Hall of Fame
- WhiteWater Honored with Leading Edge Awards and Hall of Fame Induction at WWA Show
- Cityneon and Hasbro to Bring Interactive Transformers Exhibit to China
- IMERSA Seeks Fulldome Videos for 2018 Summit
- 2017 Disney Accelerator Demo Day Showcases Innovators in Technology
- Merlin Reports LEGOLAND Revenue Up While UK Attendance Down Following Terrorism
Mousetrappe Wins VES Award for Space Shuttle Atlantis
Burbank, CA, USA — Mousetrappe has won the Visual Effects Society VES Award in the category of Outstanding Visual Effects in a Special Venue Project for the studio’s celebrated work on the Kennedy Space Center Visitor Complex, Space Shuttle Atlantis attraction.
Launched for the public in June 2013 at the Kennedy Space Center Visitor Complex, this attraction is the breathtaking $100 million, 90,000 square-foot home of Space Shuttle Atlantis, along with the inspirational story of NASA’s 30-year Space Shuttle Program. As the Show Producer on Space Shuttle Atlantis, Mousetrappe was responsible for designing and producing all of the media content for the attraction’s pre show and main show, as well as the large LED scenic wall behind the orbiter.
Mousetrappe’s Daren Ulmer accepting VES Award
Drawing on their expertise in large-format architectural projection, Mousetrappe’s design and production transports guests right into the center of the action through a combination of new live- action reenactments, original archival footage, and stunning new computer-generated (CG) animation – all within a uniquely immersive mapped architectural environment.
Mousetrappe’s design and production work was conducted on behalf of Delaware North Companies Parks & Resorts, operators of Kennedy Space Center Visitor Complex for NASA, as well as PGAV Destinations and Nassal.
Cited for the nomination were Mousetrappe’s creative team members and Cedar Connor along with John Gross and Christian Bloch. Eden FX was retained by Mousetrappe to create and produce digital sequences which are interwoven throughout the media. Gross (now at Muse VFX) and Bloch worked on this project for Eden FX.
Other nominated projects in the Special Venue Project category were Hayden Planetarium’s Dark Universe, National Geographic’s Mysteries of the Unseen World, Hong Kong Disneyland’s Mystic Manor, and Super 78’s SpongeBob SquarePants 4D: The Great Jelly Rescue!
Related articles
More in this category
Current Issue
IPM Interviews
-
PIXOMONDO’s David Garber on The 5 Spot InPark speaks with PIXOMONDO's David Garber on specialty... -
Uniquely European The close relationship between vendor and client has helped... -
Dubai Parks and Resorts: Operationally speaking "We partnered with leading studios to create a unique... -
IAAPA rolls out welcome mat in Berlin InPark speaks with Karen Staley, IAAPA Senior Vice... -
The Integration of Things: InPark goes to InfoComm We put on our themed entertainment goggles and plunged into... -
IAAPA leadership speaks out during AAE 2017 PHOTO: June Ko, Paul Noland, and Wuthichai Luangamornlert... -
IPM EXCLUSIVE: Interview with AECOM’s Brian Sands and... Ultimately, for a park to be successful, it must analyze... -
Vekoma: Heavy Metal "There will always be parks that want to aim for records,... -
Six Flags: Behind the headsets Last year, Six Flags began redefining the coaster... -
Pirates, Treasure & WDI’s Luc Mayrand InPark Editor Martin Palicki sat down with Luc at the 2017... -
CharacterZ: Costumed Entertainment on the Big Screen “Working in the industry can be dysfunctional at times,... -
Eleventh Hour: Themed Employment Specialists Eleventh Hour collectively has 25+ years of experience in... -
Go East, young man: Alterface in China InPark’s Martin Palicki spoke with Benoit Cornet on how... -
DISNEY’S TRON: Greetings Programs 2017 marks the 35th anniversary of Disney’s... -
FELD ENTERTAINMENT: Lorelei Owens at the Circus When Ringling made the decision in 2014 to retire its... -
KEN SABA: The Whats, Whys and Hows Ken Saba has just joined the media department at Universal... -
THE GODDARD GROUP: Fireside Chat InPark’s Martin Palicki spoke with Goddard and Taylor... -
The Five Spot Puts a Biscuit in the Basket: InPark’s... Welcome back to the Five Spot, where we ask industry... -
THE FIVE SPOT: Falcon’s Creative’s Saham Ali on... InPark's Joe Kleiman tried out the latest incarnation of... -
Holiday cheer…and fear For almost two decades, composers Edward Douglas and... -
Keeping it Dynamic Our job is to figure out how to help guests participate and... -
WhiteWater’s Attraction Photo: Father & son team Geoff & Paul Chutter... -
RYMAN ARTS: The Ryman Connection Ryman Arts feeds the themed entertainment industry by... -
THINKWELL GROUP: Being Beijing Insight into the Asian Pacific market with Thinkwell’s... -
The FIVE SPOT: David Schaefer of Falcon’s Creative... Falcon's Creative Group, an Orlando-based creative services...
