Nov 19, 2020 Joe Kleiman Asia, Attractions, Business, Europe & Middle East, Events, Headlines, Live Shows and Spectacles, Museums, News, North America, Technology & Media, Theme Parks, World markets Comments Off on From classics to high tech: Themed Entertainment Association announces newest Thea Award recipients
Nov 19, 2020 — The Themed Entertainment Association (TEA) today announced the newest group of TEA Thea Awards recipients – considered one of the greatest honors within the attractions industry.
The slate of 27th annual award recipients announced today will be celebrated with a series of Thea Awards Digital Case Studies rolling out from July – December 2021. The recipients will also be documented in TEA’s official Thea Awards Program with project descriptions, photos and comprehensive project credits.
The Thea Awards were founded in 1994 by TEA, a global nonprofit serving the visitor attractions industry.
Although unable in 2020 and 2021 to hold its traditional black-tie Thea Awards Gala and TEA Summit conference which draw some 1,000 professionals to the LA area each year for networking, celebration and professional development, TEA opted to continue its annual Thea Awards cycle and honor the recipients and the project teams with a series of online case studies and its elegant published program.
The themed entertainment industry touches all genres of visitor attractions, internationally – including destination theme parks and waterparks, regional theme parks, museums, visitor centers, resorts, parades, immersive experiences and spectaculars. The industry has exploded globally in the last decade and is significant to international business in terms of travel, tourism, land development, hospitality, retail, entertainment, education, IP and branding, design, architecture and technology.
From hundreds of nominations received each year, the Thea Awards Committee deliberates at length to produce the annual slate of recipients, which is submitted to the TEA International Board of Directors for approval. Chair of the 27th Annual TEA Thea Awards Committee is David Cobb.
Visit www.teaconnect.org and #TEAtheas on social media.
Descriptions provided by the TEA Thea Awards Committee
As president of Walt Disney Imagineering, Bob Weis leads talented Imagineers around the world to advance the quality of immersive experiences to achieve extraordinary results across theme park resorts and cruise ships – with a focus on quality, storytelling, and collaboration. His portfolio of work is unparalleled and recognized by the industry, his peers and the tens of millions of visitors as among the best. The admiration he has earned from our community over the decades is rooted in his authentic leadership style – that of a world-class visionary who is sincerely modest, selfless and kind.
His early achievements include being part of Disney’s first international theme park development, Tokyo Disneyland and subsequently Tokyo DisneySea. At Walt Disney World Resort, Weis worked on the creation of Disney’s Hollywood Studios (then called Disney-MGM Studios) and continues to oversee the transformation of that park. He provided overall creative leadership of the major transformation of Disney California Adventure. Currently Weis oversees large teams transforming EPCOT as well as Walt Disney Studios Park at Disneyland Paris.
The Shanghai Disney Resort also showcases his thoughtful leadership in the effort to develop a deep understanding of the Chinese audience and culture. Our industry is a key facilitator in today’s world of global outreach and multi-cultural connections and experiences, and Bob Weis has shown that he can integrate the experiences and perspectives of many viewpoints into a winning project, inclusive of all participants, and enjoyed by all who visit over several decades.
As Blackpool Pleasure Beach turns 125 years old next year, it stands among few comparables in the world of themed entertainment, connecting the industry’s past and future by thriving through more than a century of cultural, social and technological change.
Blackpool Pleasure Beach was founded in 1896 by A.W.G. Bean and his partner John Outhwaite, and soon became known for its innovative thrills as the site became packed with all sorts of unique attractions over decades of expansion. Today, the overall footprint of the development occupies 42 acres with 38 rides that span thrills, coasters, dark rides and family rides, not to mention a collection of shows and unique walk-through attractions. Most notable is the park’s surviving collection of vintage rides, some of these are the last remaining types of their kind in the world. Their additions in the modern era have been equally impressive.
As one of the world’s first and most iconic amusement parks, it has survived two world wars and the harsh environment of its seaside location while continually providing family fun and thrills for generations while remarkably also being a family-owned and -operated business since its inception, currently under the care of the fourth generation of Blackpool lineage.
Thanks to the utilization of immersive projection mapping, original music and a simulated train ride that transports guests from past to present, this incredible new aquarium entrance experience crosses the threshold into entertainment design in new and unexpected ways. The experience creates a unique transition from the Train Shed’s history to the arrival at the new Aquarium; it’s difficult to know where reality ends and fantasy begins. The Entrance Experience at St. Louis Aquarium at Union Station represents a new generation of aquarium design.
With a combination of amazing, lifelike characters; a simple, fun, and engaging storyline; a highly approachable gaming system; and an age-appropriate ride experience; Sesame Street: Street Mission creates a unique family attraction worthy of recognition. It powerfully illustrates how major IP-based attractions can be executed with excellence at theme parks anywhere in the world. After years of wondering exactly ‘how to get to Sesame Street,’ we now know it’s at PortAventura.
This latest of Fantawild’s Oriental Heritage Park brand focuses on the culture of Jingzhou and the ancient Chu state (present-day Hubei province). Using the best of 21st century immersive experience technology, this live event spectacular tells the 2000-year-old story of Qu Yuan, regarded as the father of Chinese poetry. It blends live performers in architectural space with a moving stage, real-time tracking technology, projection and augmented reality to set a new bar for experience design and make history and culture breathe for today’s audience.
One of the anchor attractions at the new Lionsgate Entertainment World, The Twilight Saga: Midnight Ride is a fantastic adventure that is also a multi-rider, multisensory, interactive virtual reality experience – and a major theme park attraction. Guests climb aboard their own motorbikes, each with its own multi-axis motion platform and lightweight, sanitary VR headset. Riders are greeted by Jacob, who introduces them to their mission: to ride out with the wolf pack to combat the vampire newborns prowling the forest. They race off, with each rider in control of their speed and direction, and able to see other riders. All the elements come together in a truly cohesive, compelling and exceptional experience, a shining example of excellence in our industry.
The Snorri character, developed for the new water park Rulantica, connects the youngest of guests with ancient Nordic stories in a beautifully lighthearted way, and this new dark ride is a wonderful update and evolution to the classic character-driven family dark ride. The immersive quality of the ride’s highly stylized scenery, combined with its intimate sense of scale, make this an extremely charming and engaging experience. The timeframe to deliver this high-quality attraction is also worthy of recognition; design, fabrication and installation in just over a year’s time is a staggering accomplishment.
The ARGUS LED Dome technology is patented and manufactured by Lopu (based in China) and produced in four standardized dimensions, with diameters of 15m, 18m, 20m, and 23m. The system can also be customized to meet a project’s specific needs. The system can deliver high quality video resolution of 4K, 6K, 8K, and more. Further, the ARGUS LED technology has adjustable brightness from 100-300nit, a sequential contrast ratio of 10,000:1 and intra-frame contrast ratio of 100:1. This means the system displays true black and a much finer greyscale.
This revolutionary viewing experience supports immersive storytelling in large dome applications and suggests significant potential for new applications. Ultimately, this technology is a new tool for immersive experience design.
This cleverly conceived exhibit sparks interest in the natural world and spurs at-home observation of plants and pollinators. Amazing Pollinators provides an astounding magnitude of science and nature education in a cohesive, fun exhibit that engages all ages to play the game, score points, and learn. The analog-style interactive technique is a welcome counterpoint to the media and digital technology that dominate our world.
This show exemplifies sophistication, imagination, technical achievement and creative application. The creative staging, and he dynamic way in which elements are combined – live performers, digital backgrounds, special effects – results in one ‘wow’ moment after another. The synchronous movement of the show action set pieces, and particularly the physical vehicles, is impressive, with unprecedented speed and accuracy in this context. The Bourne Stuntacular raises the bar on the traditional stunt spectacular.
The future of themed entertainment is intimately linked to the demand for a more immersive, entertaining and authentic dialogue between storyteller and guest, and The Nest delivers. This unique, one-or two-person experience is a theatrical takeover of a large warehouse storage unit, scenically propped and dressed into an exploratory narrative of increasingly mysterious and dream-like hidden rooms, where guests rummage through the personal belongings of the protagonist as they unlock her beautiful, wistful, and powerful story. The Nest combines tenets of a puzzle/escape room with the immersion of an attraction, the emotion of an intimate theatrical performance and the personal agency of an alternate-reality game.
This new, 21st century attraction is both surprising and mind-blowing; it keeps one engaged and delighted throughout the ride, making all guests feel as if they have literally stepped into an animated world in ways never imagined before. With a combination of physical sets, Audio- Animatronics figures, animated media and projection-mapping techniques, all syncing in time with trackless vehicles and a catchy original song and musical score, it turns a two-dimensional cartoon world into an immersive, eye-popping experience. Mickey and Minnie’s Runaway Railway raises the bar for all dark rides to come.
This high-touch, virtual interactive experience is specifically designed to cater to children of very limited abilities. This includes people with profound mental and physical conditions who cannot move on their own, nor be left on their own – an audience often underserved in more standard environments. Here, through this relatively simple application of adaptable screen technology and projection, they are given specific, careful, loving attention as they are taken through virtual experiences which they clearly find profound, entertaining, and moving. And that is the highest standard we have.
“Becoming Jane” is an emotionally moving exhibit, an insight into the extraordinary life and accomplishments of Dr. Jane Goodall, visionary primatologist and anthropologist. The real strength of the design is in the sense of immediacy and emotional engagement engendered by the experience. It is not only a story about how Jane became Jane…it calls upon each guest to be involved and to care – and in that sense, each person is ‘becoming Jane.’ It is altogether a very rewarding and inspirational experience, delivered with taste and restraint.
To stay at Les Quais de Lutèce hotel is to travel 2,000 years back in history. It is a way to walk, shop, dine, and sleep in a detailed replica of a Gaulish village, an immersive experience in the world of Asterix and Obelix. All the architecture is characterized by a high level of concern for detail. On top of the quality and detail of the design, the management of Asterix has given careful attention to the sustainability aspect of the project.
TAIT Navigator’s technical breakthroughs of single-millisecond precision, flexible architecture, and sophisticated programming tools have pushed the boundaries of control systems and delivered extraordinary experiences worldwide, over the last several years. The TAIT Navigator is a premium control system that has the potential to grow in popularity and significance within the themed entertainment industry.
Jewel Changi Airport has brought a new travel and leisure experience to passengers of Singapore Changi Airport and to local Singaporeans. The Jewel demonstrates excellence, creativity and innovation in the application of a themed natural environment as part of an airport experience. It actively engages the visitor to become a participant. The multi-sensory experiential arrival, quality of the integration of the natural and nature-themed environments and the family-entertainment aspects create a unique, new destination where the guest wants to stay to explore, relax and connect.
The mind-blowing Star Wars: Rise of the Resistance is simply the most technologically advanced theme park attraction in existence today. This attraction combines 60 years’ worth of WDI attraction design magic into one seamless, story-driven experience. The level of complexity and engineering are unparalleled and the experience integrates several completely unique ride systems. Dozens of individually complex systems are choreographed seamlessly to produce high capacity and redefine what a major marquee attraction can be. Rise of the Resistance demonstrates how a detailed and legendary IP story can be told not just on a ride, but through a complete system of experiences that add up to much more than just the ride itself. The entire attraction, from front to back, is one massive magic trick that leaves riders gobsmacked and represents the absolute pinnacle of how our industry can entertain an audience at a theme park.
The TEA Peter Chernack Distinguished Service Award honors exceptional service to the organization, above and beyond the norm. Giving back in this manner is the lifeblood of an association such as TEA that relies in great part on a dedicated community of volunteers. Dale Sprague truly embodies the spirit of service and the legacy of Peter Chernack. Whenever possible, he has shown up and contributed his time, talents, voice and perspective. His many years as a volunteer leader within TEA include six years’ service on the International Board of Directors. Dale and his team at Canyon Creative, a creative services agency, produced several social media campaigns to communicate with TEA members, and have contributed numerous design templates for TEA marketing and publications. TEA has benefited greatly from the corporate marketing expertise that Dale and his company have brought to help TEA assume a more consistent, professional face and brand identity.
Comments Off on Weta Workshop Unleashed offers behind-the-scenes look at how movie effects are made with surprises around every corner
Comments Off on Mats Wedin, Greg Hale, and Tony Baxter newest inductees in IAAPA Hall of Fame
Comments Off on ProSlide: Slides of the times
Comments Off on Thanking COO Jennie Nevin for her years of leadership at TEA
Dec 03, 2020 Comments Off on Uncompromised authenticity: George Wade marries brands and LBE
Dec 03, 2020 Comments Off on Interlink to build SuperFlume in Qatar
Dec 03, 2020 Comments Off on Tivoli celebrates Christmas with The Season of Hearts
Dec 03, 2020 Comments Off on BoldMove introduces Smash & Reload XXL with greater hourly throughput
Nov 17, 2020 Comments Off on Swings and wings, eagles and birdiesAngry Birds are teed off in new branded experience at...
Nov 17, 2020 Comments Off on ProSlide: Slides of the times"In the amusement industry it’s important that a ride has...
Nov 11, 2020 Comments Off on Could Mad Systems’ new recognition technology “change everything” about experience design?You know, when a designer comes into our lab and sees what...
Sep 29, 2020 Comments Off on Christine Kerr: From operations to creative to entrepreneurAfter nearly two decades at BaAM, Christine recently made...
Sep 28, 2020 Comments Off on Alterface: Inside Action League, the interactive revolutionUnique mix of tournament, interactive gaming and motion
Sep 28, 2020 Comments Off on Vekoma: Forged in steel, tempered by imaginationVekoma opens two new intertwining roller coasters in
Sep 28, 2020 Comments Off on InPark exclusive: Anna Knight of Informa Markets discusses the 2020 Festival of Licensing and the attractions industryThe Festival of Licensing, is a month-long virtual...
Sep 24, 2020 Comments Off on InPark exclusive: Three key players talk about Crayola’s new interactive exhibit and the brand’s expanded LBE presenceThis tour represents the next step in a portfolio of LBEs...
Sep 02, 2020 Comments Off on Smaller attractions: Following the leaderHow smaller attractions stay competitive and innovative...
Aug 19, 2020 Comments Off on Nathan Jones: Continuing a journey of amazing attractionsFollowing a long track record at both WhiteWater and...
Jun 30, 2020 Comments Off on Right place, write timeHollywood screenwriter Bennett Yellin authors a new future...
May 18, 2020 Comments Off on Eleventh Hour: The rise of consultants since COVID-19 affords a vision of leadership for the Location Based and Themed Entertainment Industry.To help companies respond to industry-specific challenges,...
May 05, 2020 Comments Off on Inside the time machineCreative Principals’ Geoff Thatcher says now is the...
Apr 22, 2020 Comments Off on InPark exclusive: International participants in Dubai Expo 2020 share thoughts on the likely one-year postponement and the status of their pavilionsLeaders of several national pavilions being developed for...
Apr 03, 2020 Comments Off on Bingo Tso, ACE International, on the effects of COVID-19 pandemic on Asian companies and the attractions marketBingo Tso of ACE International shares his perspective from...
Mar 17, 2020 Comments Off on COVID-19: Reassurances from Beijing and Kelly Ryner (Thinkwell)"As for business here in China, there is a lot of positive...
Dec 25, 2019 Comments Off on California’s Great America WinterFest: Transforming a theme park into a holiday wonderland.With millions of lights and thousands of decorations, the...
Nov 16, 2019 Comments Off on #80 – IAAPA 2019Table of contents
Nov 15, 2019 Comments Off on Meet Amanda ThompsonIAAPA’s incoming chair has deep roots in the attractions...
Nov 15, 2019 Comments Off on TEA 2020A chat with Michael Blau - incoming TEA International Board...
Nov 14, 2019 Comments Off on IAAPA 2019 Chair David Rosenberg: The aqua-manRosenberg serves as the 2019 Chair of the IAAPA Board of...
Nov 14, 2019 Comments Off on CircusTrix CEO Fernando Eiroa: Leaps and boundsInPark spoke with Eiroa about the unique business of...
Nov 09, 2019 Comments Off on InPark exclusive: Interviews with Jeremy Railton and Scott Ault on the launch of their new company, Railton Entertainment Design (RED)Themed entertainment design veterans Jeremy Railton and...
Oct 22, 2019 Comments Off on ISE 2020The annual Integrated Systems Europe (ISE) trade show for...
Oct 21, 2019 Comments Off on IAAPA: “Wear comfortable shoes!”"If this is your first Expo, attend the First Time...
Nov 17, 2020 Comments Off on #85 – Looking forward to the future
Nov 17, 2020 Comments Off on Swings and wings, eagles and birdies
Nov 17, 2020 Comments Off on Midwestern magic
Nov 17, 2020 Comments Off on A meeting of minds and disciplines
Nov 17, 2020 Comments Off on DNP photo printers help attractions and concessionaires stay competitive on the souvenir photo front
Nov 17, 2020 Comments Off on The InPark Magazine editors: Meet the press Part 4
Nov 17, 2020 Comments Off on ProSlide: Slides of the times
Nov 11, 2020 Comments Off on Could Mad Systems’ new recognition technology “change everything” about experience design?
Oct 22, 2020 Comments Off on In a virtual format, TEA Thea Awards Digital Case Studies showcase best of human experience