It is imperative today for LBE developers and operators to differentiate their products with unique experiences and IP. In a fast developing and increasingly competitive market, compelling attraction content and an operator’s ability to utilize it both to draw and entertain visitors is at the core of any successful LBE destination. (LBE=location based entertainment; IP = intellectual property.)
In retail contexts, where traditional tenants face rising competition from online shopping, developers are seeking unique attraction and entertainment anchors and licensing IP for cultural tourism, lifestyle retail and leisure projects to better compete with other shopping destinations. The unique attractions and IP allow operators to achieve pricing premiums over non-branded attractions. This phenomenon is especially visible in the rapidly evolving Asian LBE landscape.
As developers look to incorporate IP into Asian LBE attraction projects, ECA sees two primary types of IP inclusion – domestically developed IP and internationally developed IP.
Established domestic operators tend to create their own themes, brands and characters and have limited interest in international IP for attraction projects – for example, Chimelong and Wanda Group in China. By comparison, newer domestic investors and developers entering the industry are increasingly interested in partnering with international developers, operators and IPs to bring internationally branded content that can help differentiate their destinations and extend their appeal beyond the regional market.
As a result, leading operating groups, such as Merlin Entertainments Group, Village Roadshow, Parques Reunidos, and iP2, among others are partnering with international IPs to improve their offer to developers throughout the region. The Novotown project in Hengqin (Zhuhai, China) exemplifies this phenomenon, where Zhuhai Hengqin Laisun Creative Culture City Co. Ltd. has partnered with Lionsgate Entertainment to provide the IPs and content, and with Village Roadshow to operate the planned 22,000-square meter indoor Lionsgate Entertainment World that will open at the end of 2018.
Asian markets offer varying levels of international IP inclusion. Japan exhibits the highest level, where Disney opened the first internationally branded theme park in Asia almost 35 years ago (Tokyo Disneyland; 1983). China is catching up quickly, though, with the recent opening of Shanghai Disneyland and upcoming projects from Universal Studios, LEGOLAND Parks, and Lionsgate, among others, in leading tier 1 and tier 2 cities.
ECA expects the Asian attraction industry to continue its strong growth trend with new opportunities for innovation driven by motivated international brands and licensors.
While Japan and Singapore have made international IP a fundamental tenet of their tourism offer, broader Asia is full of pipeline internationally branded LBE projects. ECA expects China, Japan and Malaysia to lead the way over the next decade in terms of these projects due to market dynamics (scale and income) and government support. One project that recently opened is LEGOLAND Japan in Nagoya, April 2017.
The following is a selection of projects that have been announced and begun to make progress in the planning and development process:
• Hong Kong Disneyland Expansion – 2018-2023
• Lionsgate Entertainment World in Zhuhai – opening in 2018
• Six Flags China multiple projects – first in Jiaxing in 2019+ and Chongqing 2020+
• Universal Studios Beijing theme park destination – opening in 2020+
• Eden Project Qingdao – 2020+
• SeaWorld recently announced a partnership with Zhonghong Group – intend to develop multiple projects for opening in 2020+, both theme parks and indoor LBE attractions
• LEGOLAND Shanghai/Beijing theme parks – 2022+
• Comcast Corporation recently purchased the remaining shares of USJ to take 100% control indicating their positive outlook for Japan and Asia and further reinvestment possibilities
• Moomin Theme Park Japan – opening in 2018/19
• Super Nintendo World land at Universal Studios Japan (USJ) in Osaka – opening in 2020
• Tokyo Disneyland Expansion – opening in 2020+
• Movie Animation Parks [MAPS] in Ipoh – opening in 2017
• 20th Century Fox World at Genting Highlands – opening in Summer 2018
• There are several branded theme park/attractions under consideration in South Korea. India is considered the next emerging large-scale market for LBE development after China.
In addition to the publicly announced projects and beyond the traditional licensors, a multitude of entities are exploring ways in which to extend their brand into Asia. These groups include:
• “Big 6” Studios – Disney, Universal, Warner Bros., Fox, Paramount, Sony
• Major Studios – Lionsgate, MGM
• TV Networks – BBC, National Geographic, Discovery, Cartoon Network, Nickelodeon
• Toy/Crafts – LEGO, Hasbro, Sanrio, HiT
• Video Games – Electronic Arts, SEGA, Angry Birds, Activision, Nintendo, Ubisoft
• Specialty – Cirque du Soleil, Ferrari, Peanuts Worldwide, National Basketball Association (NBA)
• Merlin Entertainments and others – Operating groups like Merlin also have significant plans for rollout development in Asia that will utilize international IP. Merlin has announced plans for the development of 40 new Midway attractions globally by 2020, of which Asia will be a key focus with an expansion strategy based on ‘cluster’ locations where Merlin can achieve an operating cost, marketing and cross-selling advantage.
Finally, integrated resorts (IR) may open a multitude of opportunities for internationally branded attraction development in Asia.
• Malaysia – As shown by the inclusion of Universal Studios in Genting’s Resorts World on Sentosa Island in Singapore, internationally branded IP can play a critical role in expanding tourism drawing power for a city/country and in acquiring gaming license approval. Genting has also fully re-envisioned the theme park at Genting Highlands outside Kuala Lumpur (20th Century Fox World theme park) as part of the RM10 billion (USD2.3billion) Genting Integrated Tourism Plan in Malaysia.
• Japan – Japan is considering the approval of integrated resorts with final approval and city selection (Tokyo, Osaka, and Yokohama are the expected frontrunners) coming as soon as the end of 2017, and it is expected that IPs and themed attractions will play a central role in the winning bids.
• Philippines – The first IR opened in Manila, Philippines in 2013 and the City of Dreams Manila project, which opened in 2014, offers the 40,000-square foot DreamWorks branded DreamPlay children’s attraction.
• Macau – Macau, which has long had integrated resorts, recently began to include internationally branded IP attractions to diversify the guest offer with the opening of the Warner Bros. Batman 4D flight simulation ride at Studio City.
• Rest of Asia – Other markets across Asia, including Vietnam and Korea, are in talks to develop IRs with international IP. • • •
Based on ECA’s global and Asian industry experience, we have summarized key impacts that IP provides for LBE development in the Asia-Pacific region:
• Provides higher project awareness and extended drawing power => higher attendance potential
• Stronger market positioning, differentiated image and profile
• Delivers premium pricing
• Appeals to a broader family market through a mix of entertainment and edutainment offerings
• Affords the ability to more easily target distinct age groups
• Drives retail and F&B spending through recognized story-driven content
• Raises the performance threshold for developers by requiring a seasoned, professional operations team
• Justifies lower anchor rents (if an indoor/mallbased LBE destination) to help overall attraction economics
• Encourages sponsorship
About Entertainment + Culture Advisors (ECA) Entertainment + Culture Advisors (ECA) is focused on delivering strategic economic insights for attraction, entertainment and cultural projects worldwide. Based in Los Angeles and Hong Kong, the ECA team has worked extensively in Asia including Singapore/Malaysia (Southeast Asia) during the past 15+ years, including advising on attraction strategy, business planning and feasibility of theme park and indoor LBE attraction development. For further information on ECA please visit: www.entertainmentandculture.com
Comments Off on Lionsgate Entertainment World on Henqin Island to reopen June 24
Comments Off on Miziker Entertainment promotes Sean Chung to President
Comments Off on AV Stumpfl’s PIXERA media servers play integral role in upgrade of House of Dancing Water
Comments Off on Attraction closures and re-openings
Jul 08, 2020 Comments Off on KidZania continues worldwide reopening of facilities
Jul 08, 2020 Comments Off on Cityneon acquires global rights for touring exhibition of Disney and James Cameron’s AVATAR
Jul 08, 2020 Comments Off on DNP photo systems capture memories for graduating seniors at Charlotte Motor Speedway
Jul 07, 2020 Comments Off on St Louis Gateway Arch delays opening of Tram Ride to the Top
Jun 11, 2020 Comments Off on #81 – COVID-19 and beyond
Jun 11, 2020 Comments Off on Editorial: Finding paths forward during uncertain times
Jun 11, 2020 Comments Off on Editorial: Appreciation for Alf Heller, to whom I owe my career
Jun 11, 2020 Comments Off on Mack Rides: Through the generations
Jun 11, 2020 Comments Off on Connect&GO: Removing barriers
Jun 10, 2020 Comments Off on CAVU Designwerks: Self-Driving Vehicle
Jun 10, 2020 Comments Off on DreamCraft Attractions: Reality, but better
Jun 10, 2020 Comments Off on Around Disney’s Galaxy in 25 minutes
Jun 10, 2020 Comments Off on Inside the mouse house
May 19, 2020 Comments Off on Touch-free and other options for a new world of interactive exhibits
May 05, 2020 Comments Off on Inside the time machine
Apr 22, 2020 Comments Off on InPark exclusive: International participants in Dubai Expo 2020 share thoughts on the likely one-year postponement and the status of their pavilions
Apr 13, 2020 Comments Off on What should Themed Experience graduates know, say and do?
Apr 10, 2020 Comments Off on What will it mean to postpone Expo 2020 Dubai until 2021?
Apr 09, 2020 Comments Off on Sustaining the mission: Zoos and aquariums in the age of COVID-19
Jun 30, 2020 Comments Off on Right place, write timeHollywood screenwriter Bennett Yellin authors a new future...
May 18, 2020 Comments Off on Eleventh Hour: The rise of consultants since COVID-19 affords a vision of leadership for the Location Based and Themed Entertainment Industry.To help companies respond to industry-specific challenges,...
May 05, 2020 Comments Off on Inside the time machineCreative Principals’ Geoff Thatcher says now is the...
Apr 22, 2020 Comments Off on InPark exclusive: International participants in Dubai Expo 2020 share thoughts on the likely one-year postponement and the status of their pavilionsLeaders of several national pavilions being developed for...
Apr 03, 2020 Comments Off on Bingo Tso, ACE International, on the effects of COVID-19 pandemic on Asian companies and the attractions marketBingo Tso of ACE International shares his perspective from...
Mar 17, 2020 Comments Off on COVID-19: Reassurances from Beijing and Kelly Ryner (Thinkwell)"As for business here in China, there is a lot of positive...
Dec 25, 2019 Comments Off on California’s Great America WinterFest: Transforming a theme park into a holiday wonderland.With millions of lights and thousands of decorations, the...
Nov 16, 2019 Comments Off on #80 – IAAPA 2019Table of contents
Nov 15, 2019 Comments Off on Meet Amanda ThompsonIAAPA’s incoming chair has deep roots in the attractions...
Nov 15, 2019 Comments Off on TEA 2020A chat with Michael Blau - incoming TEA International Board...
Nov 14, 2019 Comments Off on IAAPA 2019 Chair David Rosenberg: The aqua-manRosenberg serves as the 2019 Chair of the IAAPA Board of...
Nov 14, 2019 Comments Off on CircusTrix CEO Fernando Eiroa: Leaps and boundsInPark spoke with Eiroa about the unique business of...
Nov 09, 2019 Comments Off on InPark exclusive: Interviews with Jeremy Railton and Scott Ault on the launch of their new company, Railton Entertainment Design (RED)Themed entertainment design veterans Jeremy Railton and...
Oct 22, 2019 Comments Off on ISE 2020The annual Integrated Systems Europe (ISE) trade show for...
Oct 21, 2019 Comments Off on IAAPA: “Wear comfortable shoes!”"If this is your first Expo, attend the First Time...
Sep 11, 2019 Comments Off on Netflix and thrill: Greg Lombardo joins the content streaming powerhouse as Head of ExperiencesLombardo brings with him more than a decade experience in...
Sep 10, 2019 Comments Off on Transitions: Leaps and boundsIndustry professionals are making moves and creating waves
Sep 09, 2019 Comments Off on Exploring IAAPA EuropeMeet recent additions to IAAPA’s European team
Aug 08, 2019 Comments Off on IPM Interview: Jennifer Lee Hackett, Sinking Ship EntertainmentGiant screen veteran Jennifer Lee Hackett has joined...
Jun 28, 2019 Comments Off on John Miceli and the new DE-ŹYN StudiosThroughout his career, John Miceli has worked in feature...
Jun 26, 2019 Comments Off on Meet Lionsgate Entertainment World’s new general manager: Selena MagillMeet the new GM of Lionsgate Entertainment World, scheduled...
May 08, 2019 Comments Off on ECA2: All eyes on LanzhouECA2's latest spectacle, a permanent installation in a...
May 06, 2019 Comments Off on IAAPA Expo Asia"Establishing a presence in both Hong Kong and Shanghai...
Apr 29, 2019 Comments Off on Vekoma: Coasting around AsiaInPark spoke to Jason Pan, Vekoma’s regional director of...
Mar 21, 2019 Comments Off on Lisa Passamonte GreenThe Thea Awards Nominating Committee annually reviews and...