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Cedar Point amusement park and K’NEX building toy company partner on student contest

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SANDUSKY, Ohio, Nov. 2, 2011 /PRNewswire/ — K’NEX, America’s Building Toy™ company headquartered in Hatfield, Penn., and Cedar Point amusement park/resort in Sandusky, Ohio, have announced plans to sponsor the second Cedar Point K’NEX Great Thrill Ride Build-Off in 2012. The contest began on Nov. 1 and will run through April 2, 2012.

School groups grades 6 through 12 are challenged to build the most innovative and thrilling amusement park ride model using only K’NEX pieces. A select group of K’NEX designers and Cedar Point ride engineers and officials will choose five winners to exhibit their creations at Cedar Point during Math & Science Week and remain on display throughout the park’s 2012 operating season. Additional prizes include K’NEX building sets, online store credit codes, and Cedar Point tickets.

New in 2012, one of the five winners will be chosen by the public to be the “Fan Favorite.” The five winning models chosen by K’NEX and Cedar Point will be posted at www.knex.com for the K’NEX and Cedar Point fans to vote upon. The “Fan Favorite” will receive a variety of additional prizes including an exclusive behind-the-scenes tour of Cedar Point and an invitation to visit K’NEX headquarters in Hatfield.

In its inaugural year, the contest generated submissions from across the nation including California and New Jersey. The five winning schools represented three different states: Ohio, Pennsylvania and New Jersey. Courtney Washington, the teacher of the winning classroom from Glenfield Middle School in Montclair, N.J., traveled more than 500 miles to see her students’ work on display. Washington even received a letter of recognition from President Barack Obama honoring the work she has done with her class.

“We were thrilled to be selected as one of the winners and the students had an awesome learning experience. They were actively engaged and highly dedicated to their project,” said Washington. “There was an abundance of teachable moments throughout the entire project. They were able to apply engineering, physics, social studies and language arts to mathematics.”

To be eligible, students must consider mathematical and scientific applications such as potential and kinetic energy, speed, acceleration and gravity. The project is intended to encourage students to apply their knowledge of math and science in a fun and innovative way.

“We were extremely impressed by the quality of rides submitted by the school groups last year,” said Rob Decker, corporate vice president of planning and design at Cedar Point. “We look forward to seeing the unique and inspiring projects submitted for this year’s contest.”

To enter, school groups must submit a 500-600 word description as well as a video and photos of the ride. Entries will be evaluated on creativity, uniqueness, detail and accuracy of the ride description. Class or student groups can register by visiting the K’NEX website.

“Last year’s Great Thrill Ride Build-off was extremely successful. Students were able to mesh their creative skills with the principles of math and science,” said K’NEX President and CEO Michael Araten. “We are excited to partner with Cedar Point again to provide a challenging and fun learning experience to students around the country.”

About Cedar Point’s Math and Science Week
During Math & Science Week, special educational programs, demonstrations and activities designed for middle and high school students are presented at the park. 

About K’NEX Brands

Founded in 1992, K’NEX Brands was established to make and sell what has become one of the world’s leading integrated construction systems for children. Winner of over 200 international awards and recognitions, K’NEX encourages youngsters to “imagine, build and play.”

Thinkwell Group marks 10 years in business; promotes Kelly Ryner to SVP

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Kelly Ryner, SVP global business development, Thinkwell

(Burbank, CA) — Thinkwell, a full-service experiential design and production firm specializing in digital and location-based entertainment and educational experiences around the world, is celebrating its 10th Anniversary this year and continues to expand its global footprint with multiple projects in the US, Europe, Asia and other locations around the world.

“Over the course of the last ten years, we’ve been very fortunate to have developed trusting, meaningful relationships with our clients, opening doors to new opportunities and ventures,” said Joe Zenas, CEO, Thinkwell. “The economy has certainly presented our industry with some challenges in recent years but we’ve been very strategic with the operations and business development of our firm to maintain stability and prepare for new growth. We’re excited about the present and what the future holds for Thinkwell.”

Representing a diverse roster of clients, including Warner Bros., Universal Studios, Paramount, DreamWorks Animation, Georgia Aquarium, Museum of Science and Industry Chicago, Colombian Coffee Federation, Fernbank Museum of Natural History, LOCOG (London Organising Committee of the Olympic Games) among many others, Thinkwell is charged with the task of conceiving, developing and producing attractions, events, exhibits and live shows. Thinkwell’s vast array of projects spanning the globe include Universal 360 – A Cinesphere Spectacular; the Show at the Pier Shops at Caesar’s Atlantic City; the Grand Opening Event of the Wizarding World of Harry Potter at Universal Orlando, the Snow Play Zone at Ski Dubai; Sesame Street Presents: The Body and Fernbank Museum of Natural History’s NatureQuest, to name a few.

Additionally, the company recently announced that it has been selected by Monkey King Co. Ltd, a subsidiary of the real estate, financial and cultural industry investment enterprise Zhonghong Real Estate, to design the highly immersive Monkey Kingdom cultural park slated to open in 2014 in Beijing China. The USA based design firm has been collaborating with Zhonghong on the strategy, concept, master plan and attraction development for the park since mid 2010. With a total investment of $1.53 billion USD the Monkey Kingdom park will include conference centers, hotels, exhibition halls, retail, residential and culturally significant entertainment, making this property the ultimate convergence of business, culture, relaxation and tourism opportunities.

In conjunction with the anniversary celebration and to support expanding growth efforts, Kelly Ryner, who has been an executive with the company since it opened its doors in 2001, has been promoted to senior vice president, global business development.

“Kelly’s extraordinary dedication, professionalism and determination has played a significant role in the success of Thinkwell,” stated Francois Bergeron, chief strategy officer and CFO, Thinkwell. “In her elevated position she is empowered to negotiate and close complex business transactions on the company’s behalf while she spearheads our global outreach and development.”

Having successfully nurtured client relations and marketing efforts for the last 10 years, Ryner will now be responsible for managing Thinkwell’s business development team’s efforts domestically and internationally focusing on the cultivation of new business opportunities and projects across all of Thinkwell Groups business units.

Kelly is a multi-talented individual with more than 15 years of international experience prior to Thinkwell as an in-field art director and scenic artist for the likes of Universal Studios and Warner Bros. theme parks. She brings that construction knowledge and expertise to the table when helping clients understand their needs and goals, while clearly communicating the incredibly complex development and production process.

About Thinkwell Group
Thinkwell, celebrating its 10th anniversary this year, is a full-service experiential design and development firm that collaborates with its clients to strategize, envision, create, design and implement immersive, one-of-a-kind guest experiences. Thinkwell develops and produces attractions, master plans, brand experiences, exhibits, live shows, environments, multimedia and digital integration. The company has become a leader in experiential design by bringing a unique holistic approach to every creative engagement, delivering extraordinary results to notable clients over the years, including Fortune 500 companies, studios, museums, theme parks and destination resorts.

Thinkwell’s range of work includes master planning for Warner Bros., Universal, MGM and Paramount as well as attractions such as Universal 360 – A Cinesphere Spectacular; the Show at the Pier Shops at Caesar’s Atlantic City; the Snow Play Zone at Ski Dubai; Sesame Street Presents: The Body and Fernbank’s NatureQuest.

Thinkwell is headquartered in Burbank, CA, with a branch division in London.

Hard Rock allies with Paper City Development on Massachusetts destination proposal

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The proposed Hard Rock project is slated for the 100-acre Wyckoff Country Club site off Interstate 91. “We are planning a state-of-the-art facility with a wide range of non-gaming amenities that will provide a world-class entertainment experience unique to the region,” said Jim Allen, Chairman of Hard Rock International. 


HOLYOKE, Mass., Nov. 1, 2011/PRNewswire/ — Hard Rock International announced a strategic alliance with Paper City Development LLC., to develop and manage a Hard Rock Hotel & Casino in Holyoke, Massachusetts pursuant to the proposed legislation to bring gaming to Massachusetts.

“We are thrilled to be working with Paper City Development to bring the Hard Rock Hotel & Casino brand to Massachusetts,” said Jim Allen, Chairman of Hard Rock International. The project will complement the local community and its surroundings, as well as rival any property in the world, making the Hard Rock Hotel & Casino Holyoke one of the top entertainment destinations in the country. As part of the Hard Rock Hotel & Casino family, Holyoke will have the opportunity to be included in an international network of cities including London, Moscow, New York and Singapore, who proudly carry the Hard Rock flag.”

“Hard Rock is a terrific partner with an unmatched track record in hospitality around the globe,” said Joseph Lashinger, Managing Partner of Paper City Development LLC. “Hard Rock will benefit the local community and state by creating thousands of new permanent jobs, increasing out-of-state tourism, and improving area infrastructure. This project will generate a financial impact that only a global company of its kind could bring to the area. Hard Rock’s 40-year history, vast experience and unique commitment to philanthropy made them a perfect partner for this project.”

Internationally recognized as a world-class entertainment and lifestyle brand, Hard Rock’s current Hotel and Casino properties include two of the most successful resort casinos in the United States, Seminole Hard Rock Hotel & Casino Hollywood and Seminole Hard Rock Hotel & Casino Tampa, both in Florida. Recent expansion has brought the Hard Rock Hotel & Casino brand to Punta Cana and the Dominican Republic with plans for three new all-inclusive Hard Rock Hotels in Mexico announced in October 2011. Hard Rock also has Hotel and Casino properties in Macau, Las Vegas and Biloxi, as well as a portfolio of standalone hotels and destination resorts operating throughout North America and Asia.

About Paper City Development Company LLC.
The Paper City Development Company LLC. (PCD) is proposing the development of a Western Massachusetts destination resort casino that would include gaming, hotel and entertainment. The company controls the Wyckoff Country Club in Holyoke, a 100-acre site bordering Interstate 91. The PCD is a partnership between Anthony Cignoli, Springfield-based political and media consultant,Anthony Ravosa, President of the Vince Group, both natives of Western Massachusetts, and Joseph Lashinger, a former Pennsylvania State Legislator and an experienced resort casino developer.

About Hard Rock International
With a total of 172 venues in 51 countries, including 135 cafes and 15 Hotels/Casinos, Hard Rock International is one of the world’s most globally recognized brands. Beginning with an Eric Clapton guitar, Hard Rock owns the world’s greatest collection of music memorabilia, which is displayed at its locations around the globe. Hard Rock is also known for its collectible fashion and music-related merchandise, Hard Rock Live performance venues and an award-winning website. In addition to the two flagship Seminole Hard Rock Hotels and Casinos in Tampa and Hollywood, Fla., Hard Rock Hotels/Casinos are located in Las Vegas, Biloxi, Orlando,Chicago, San Diego, Pattaya, Bali, Macau, Penang, Singapore and Punta Cana. Additional hotel and casino projects have been announced including Panama Megapolis, scheduled to open in 2011; Cancun and Puerto Vallarta, scheduled to open in 2012; and Riviera Maya, Hungary, Dubai and Abu Dhabi, scheduled to open in 2013. Hard Rock International is owned by Seminole Hard Rock Entertainment, Inc. For further details on Hard Rock Hotels and Casinos, visit www.hardrockhotels.com. For more information on Hard Rock International, visit www.hardrock.com.

$27 M Leviathan roller coaster heads Cedar Fair $90 M capital investment for 2012 theme park operating season

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The signature attraction of Cedar Fair’s 2012 expenditure program is the $27 million Leviathan at Canada’s Wonderland in Toronto. This 306-foot-tall, 92-mph steel machine will be one of the tallest and fastest roller coasters in the world and its elements include an 80-degree first drop, barrel turns and high-speed curves. With the addition of Leviathan, Canada’s Wonderland will have a new place on the coaster map, staking claim to 16 scream machines. Roller coaster riders will be able to buckle up for their first Leviathan ride when Canada’s Wonderland opens in May.

SANDUSKY, Ohio, Nov. 1, 2011 /PRNewswire/ — Cedar Fair (NYSE: FUN), a leader in regional amusement parks, water parks and active entertainment, has announced plans to invest $90 million in new thrill rides, family attractions and resort amenities at its 17 properties for the 2012 operating season.

In the last 15 years, Cedar Fair will have invested more than $1 billion in capital improvements across its arsenal of amusement parks, water parks and resorts. “We have a strong philosophy of reinvesting in our parks,” says Matt Ouimet, president of Cedar Fair. “Our goal is to provide each and every guest who visits a Cedar Fair park with a best-day-of-the-year experience. We realize people have choices, and by adding new rides and attractions we are committed to keeping the parks relevant and remaining the first choice for family entertainment.”

Riders at Dorney Park in Allentown, Pennsylvania will be injected with a pure rush of adrenaline as they sit face-to-face with friends on the park’s eighth roller coaster, Stinger. This 138-foot-tall inverted shuttle roller coaster resembles a scorpion ready to strike, as riders get flipped six times and race along overhead track both forward then backwards at speeds up to 55 mph.

At Kings Dominion near Richmond, Virginia. and Carowinds in Charlotte, North Carolina, guests will get panoramic views while experiencing towering thrills on WindSeeker, an amazing 30-story swing and spinning ride. Riders will sit two across in 32-passenger swings with their legs dangling and will slowly begin to rotate in a circular motion as the swings climb the massive 301-foot-tall structure. At the top, the swings will reach speeds up to 30 mph while fanning out at nearly 45 degrees before its descent. Each WindSeeker ride is a $6.5 million investment.

Family fun in gigantic — and prehistoric — proportions will debut at several Cedar Fair parks in 2012, including Cedar Point inSandusky, Ohio and Kings Dominion. Families will roar way back in time with Dinosaur’s Alive!, a world-class animatronic dinosaur collection showcasing the life-sized relics in an interactive exhibit. Dinosaurs Alive! will inspire, entertain and educate guests with the sounds and movements of each animatronic creature made to replicate nearly every feature of the dinosaurs; each piece is hand-carved and scientifically accurate based on the latest paleontological knowledge. Guests will walk through thematic scenes that tell compelling stories about each dinosaur and their primeval world.

For water lovers, Kings Island in Cincinnati, Ohio will make a big splash with its rebranded Soak City water park and offer plenty of new ways to get wet with a major $10 million expansion that will nearly double its size to 33 acres. The makeover will include a new wave pool surrounded by a large deck and lush greenery and a new action river featuring interactive areas and elements such as waterfalls, tipping buckets, spray hoses and rain curtains. A new entrance and plaza will greet guests to the waterpark; plus amenities including new family changing rooms, cabanas, sand volleyball court and additional lounging areas will be part of the renovation. Kings Island will also celebrate its 40th anniversary season in 2012.

Cedar Point’s Soak City water park will also have a new look for 2012 with the edition of a new mat-racer complex that will offer racers a speedy ride through a series of dips and plateaus.

Additional investments across Cedar Fair’s group of parks will feature new restaurants, entertainment offerings and resort upgrades.

Cedar Fair is a publicly traded partnership headquartered in Sandusky, Ohio, and one of the largest regional amusement-resort operators in the world. The Company owns and operates 11 amusement parks, six outdoor water parks, one indoor water park and five hotels. Its parks are located in Ohio, California, North Carolina, South Carolina, Virginia, Pennsylvania, Minnesota, Missouri,Michigan, and Toronto, Ontario. Cedar Fair also operates the Gilroy Gardens Family Theme Park in California under a management contract. Cedar Fair’s flagship park is Cedar Point.

Jackson Hole Wildlife Film Fest 2011 competition winners

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Since its inception in 1991, the Jackson Hole Wildlife Film Festival organization (JHWFF) has provided broadcasters, filmmakers, and other industry stakeholders with a forum to conduct business, stay informed on emerging market opportunities and technologies, test new equipment, refine program production techniques, and expand the role of media in understanding wild creatures and their habitats.

JHWFF hosts the Jackson Hole Wildlife Film Festival every other year. This event allows television and film industry professionals from around the world to network with their peers and engage in lively discussions, seminars, and forums, all devoted to the world of natural history filmmaking.

Equally committed to a path of education and outreach, the Festival is dedicated to raising awareness and empowering action, through the innovative use of media. Toward this end, the organization fosters innovative collaborations with local nonprofits, community organizations, governmental entities and schools. JHWFF offers special screenings, lectures, and in-school education programs year-round.

Grand Teton Award (sponsored by Panasonic Solutions)
BROKEN TAIL
Crossing the Line Films, IFB, RTÉ, CBC, SWR, ZDF, ARTE, MEDIA, Nature for WNET New York Public Media and BBC

Best Animal Behavior Program (sponsored by NHK Japanese Broadcasting)

  • LIFE: REPTILES AND AMPHIBIANS
  • BBC Natural History Unit, Discovery Channel, SKAI Open University & BBC Worldwide
  • Best Conservation Program (sponsored by Denver Museum of Nature & Science)
  • BROKEN TAIL
  • Crossing the Line Films, IFB, RTÉ, CBC, SWR, ZDF, ARTE, MEDIA, Nature for WNET New York Public Media and BBC

Best People & Nature Program (sponsored by The Nature Conservancy)
HUMAN PLANET–RIVERS: FRIEND AND FOE
BBC Wales, BBC Natural History Unit, Discovery Channel and BBC Worldwide

Best Science & Nature Program (sponsored by Howard Hughes Medical Institute)
DECODING IMMORTALITY
December Films and Pemberton Films & Smithsonian Networks

Best Wildlife Habitat Program (sponsored by FootageBank HD)
RADIOACTIVE WOLVES
EPO Film for ORF/Universum, NDR and Nature for WNET New York Public Media

Best Earth Sciences Program (sponsored by Marco Polo)
SEA REX 3D: JOURNEY TO A PREHISTORIC WORLD
N3D Land Productions & Mantello Brothers Productions

Conservation Hero (sponsored by Disneynature)
ELSA: THE LIONESS THAT CHANGED THE WORLD
Brian Leith Productions, The Natural World, BBC & Nature for WNET New York Public Media

Best Children’s Program (sponsored by Teton Science Schools)
THE RIDDLE SOLVERS: THE SHARK RIDDLE
Sisbro Studios & The Save Our Seas Foundation

Best Limited Series (sponsored by Terra Mater Factual Studios)
HUMAN PLANET
BBC, Discovery Channel, France Televisions and BBC Worldwide

Best 3D Program (sponsored by GoPro)
FLYING MONSTERS 3D
National Geographic and Atlantic Entertainment for SKY 3D

Best Cultural Institution Media Installation (sponsored by North Carolina Museum of Natural Sciences)
WHALES TO WINDMILLS: INVENTIONS INSPIRED BY THE SEA
Monterey Bay Aquarium

Best Fulldome Program (sponsored by Global Immersion)

  • LIFE: A COSMIC STORY
  • California Academy of Sciences
  • Best Hosted or Presenter-Led Program (sponsored by Animal Planet)
    BROKEN TAIL
    Crossing the Line Films, IFB, RTÉ, CBC, SWR, ZDF, ARTE, MEDIA, Nature for WNET New York Public Media and BBC

Marian Zunz Newcomer Award (sponsored by the Discovery Channel)
HELGOLAND: ISLAND IN THE STORM
Robert Morgenstern, Studio Hamburg DocLights Naturfilm

Best Short Program (sponsored by National Geographic)
FINNED
Mill Valley Film Group

Best Short Shorts Program (sponsored by Natural History New Zealand)

  • UN INTERNATIONAL YEAR OF FORESTS/MENSCH WALD: INSPIRATION
  • Traffic Konzept + Film GmbH
  • Best Theatrical Program (sponsored by Off the Fence Productions)
    THE LAST LIONS
    Wildlife Films and National Geographic

Best Interactive/New Media Program (sponsored by ARKive)
ONE OCEAN INTERACTIVE www.oneoceanonline.org
 

Best Cinematography (sponsored by FujiFilm Optical Devices)

  • LIFE: CHALLENGES OF LIFE
  • BBC Natural History Unit, Discovery Channel, Open University, SKAI & BBC Worldwide
  • Rod Clarke, Kevin Flay, Alastair MacEwen, Peter Nearhos, Simon Werry, and David Wright
  • Best Editing (sponsored by Images of Nature, Tom Mangelsen)
    THE LAST LIONS
    Wildlife Films and National Geographic
    Susan Scott & Candice Odgers, Editors

Best Original Music Score (sponsored by Sony Electronics)
THE LAST LIONS
Wildlife Films and National Geographic
Alex Wurman

Best Sound (sponsored by Dolby Laboratories)
SERENGETI
Studio Hamburg DocLights/NDR Naturfilm, Universum Film, & Intervista
Jörn Röver, Reinhard Radke, Sound Mix / Sound Design: Richard Borowski, Kai Storck, Carsten Richter

Best Writing (sponsored by ORF Universum)
MY LIFE AS A TURKEY
Passion Pictures, Nature for WNET New York Public Media & BBC
Joe Hutto & David Allen

Special Jury Awards (sponsored by Aerial Filmworks)

  • AFRICAN CATS
  • Disneynature Productions
  • THE STORY OF EVERYTHING
    Darlow Smithson Productions and Discovery Channel
  • WORM HUNTERS
    Gulliver Media Australia Pty, Ltd.

Cinnabar Creates Interactive Eco Challenge Exhibit for Discovery Science Center

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Los Angeles, California, USA –
Where can kids shop for dinner, sort the trash faster than a recycling worker, and clean out the garage, all in less than an hour?

Discovery Science Center (DSC), the popular children’s museum in Santa Ana, Calif., called on seasoned exhibit producer, artisan and fabricator Cinnabar Inc. to realize its concept for “Eco Challenge” – a fun and educational experience that marries authentically detailed themed environments to interactive video game technology and teaches kids about eco-friendly choices.

The exhibit, open since September, has already hosted thousands of children and been hailed as a success. 
“The children are immersed in an amazing environment full of realism and technology,” says Joe Adams, Discovery Science Center President. “We’re already hearing from parents that the message from the experience is being driven home.”
The project was born when Orange County Waste & Recycling (OCW&R) approached Discovery Science Center with the idea for the exhibit. The museum then turned to Cinnabar to help make the exhibit a reality.
Jonathan Katz
Jonathan Katz
“We were brought in and given the creative vision,” explains Cinnabar President Jonathan Katz. “With the museum’s guidance, we completed the design/build work and assembled a team to accomplish the completely integrated project, including longtime Cinnabar collaborator Mindi Lipschultz as media producer, and BBI Engineering for A/V systems and mechanical interfaces.”
As visitors navigate the three zones of Eco Challenge (Discovery Market, Race to Recycle and Eco Garage), they are greeted and addressed by the “Eco Crew” – six unique, digitally animated, 3D-rendered characters that appear, reappear and interact with visitors throughout the experience – showing up on a variety of digital displays from 52″ vertical monitors down to 15″ shopping cart screens. Lively, friendly and informative, the Eco Crew members reflect the diversity of their audience and address their viewers as equals while making an engaging, clear and passionate connection to what all of us can do to Reduce, Recycle and Reuse.
The exhibit centers around three keystone experiences, all media-rich and detail-laden:
Sandra
Sandra
Discovery Market is a life-size recreation of a grocery store, complete with computer-enhanced shopping carts. Eco Crew members help guide visitors through making the most ecologically friendly decisions while navigating the store.
The battery-powered shopping carts, scaled to the museum’s younger visitors, are equipped with touchscreen displays and handheld scanners. The user-friendly, intuitive interface lets visitors jump right into the experience The carts are engineered to be extremely durable, able to take the daily wear-and-tear dealt out in a supermarket and a hands-on science center.
Race to Recycle turns the concept of carnival-style horseracing into a trash and recycling sorting adventure. After a quick introduction from Eco Crew member Zac, who shows up on the screen console for each sorting station, kids select items off a moving conveyor belt and sort them into the proper bin to advance their waste truck along the racecourse.
Eco Garage recreates three typical household garages, along with the bevy of toxic items contained within. Armed with scanners, kids race the clock to pick items they think are hazardous waste. At the end, Eco Crew member Justin directs them to the nearest real-life hazardous waste processing facility.
“[Eco Challenge] is utilizing a first-of-its-kind, state-of-the-art exhibit to educate children and parents on the importance of making eco-friendly decisions for the long-term,” explains Adams.
 
The project was completed in less than a year – a feat which Katz credits to a clear vision from the museum and a cohesive team.
“A key part of our Integrated Creative Management (ICM) approach is to bring all the participants to the table at the beginning of a project. By identifying all the roles and our expectations at the onset, the project was able to move at a quick pace,” says Katz. “Additionally, ICM results in additional value and savings for the client- enhancing the risk/reward attractiveness of this production model.” The Discovery Science Center provided a clear vision for Cinnabar and Cinnabar in turn set in motion an effective collaborative production.
Already, the museum is seeing results from the team’s efforts. The exhibit has been a hit with school groups and field trips.
###
About Cinnabar Founded in 1982, Cinnabar California, Inc. is one of the entertainment industry’s leading production and fabrication companies, providing specialty fabrication for television, film and themed venues. In recent years, Cinnabar has been at the forefront of developments that have seen the integration of innovative new approaches to the process and production of museum exhibitions. Operating from a 30,000 square foot production facility, Cinnabar is able to provide its clients a complete range of in-house design-build, project management, and manufacturing services. Cinnabar is a licensed General Contractor in California and Nevada, and has held GC registration in other states on an as-needed basis.  

About Discovery Science Center

Discovery Science Center is Orange County’s leading destination for hands-on science fun where guests can explore more than 100 interactive science exhibits. Blast off in the Boeing Rocket Lab featuring a real rocket engine, explore the planets in the Planetary Research Station and discover the science behind a puck in the Science of Hockey. Discovery Science Center is a non-profit organization dedicated to educating young minds, assisting teachers and increasing public understanding of science, math and technology through interactive exhibits and programs. For more information, call 714-542-2823 or go online at www.discoverycube.org.

Technomic report: Leverage foodservice offerings to retain customers and profitability

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Marlene Dietrich inspired private dining room at the National WW II Museum in New Orleans

“The recreation segment continues to evolve from a sector with very limited foodservice opportunities to one in which foodservice plays a vital role in attracting and retaining customers,” says Technomic Director Mary Chapman. “In many cases, their core business—from slot machines to museum exhibits—has been suffering, and restaurants are a key way to help build bottom lines. This creates a lot of opportunity for smart foodservice operators, contract management companies and food manufacturers.” 

CHICAGO, Oct. 31, 2011 /PRNewswire/ — It is rare for a 2.6 percent decrease in sales to be considered good news, but in the case of the recreation foodservice segment, last year’s decrease was actually a big improvement over the prior year’s nominal decline of 10 percent. The industry, hit hard by the recession’s lingering effects, has continued to struggle as discretionary spending remains down from pre-recession levels. The recreation segment had retail-sales-equivalent food and non-alcoholic beverage revenues of $15.8 billion dollars in 2010. One way the industry is seeking to restore profitability is by expanding and tailoring  foodservice offerings to attract those customers venturing out and seeking the most bang for their buck. To help companies understand where opportunities lie in the recreation industry, Technomic has developed the Recreation Foodservice Report.

Findings include:

  • Theme/Amusement Parks: Beyond the economic slump, parks are at the mercy of the weather, tourism rates and competition for less-expensive forms of family entertainment. Operators are working to underscore the unique and special qualities of going to a theme park versus other entertainment venues, efforts that often include aggressive promotions involving lodging and food packages, discounts for prepaid food and all-you-can-eat special deals. 
  • Museums: Attendance is down for all fine-arts categories, and museums also are being pinched by reduced donations and civic support. However, museums have been among the leaders in upgrading foodservice over the past decade, often with the help of national or local celebrity chefs. 
  • Casinos/Gaming: After two years of revenue declines, the gaming industry is starting to show signs of growth. Las Vegas, in particular, is benefiting: For the past 16 consecutive months, the number of visitors to Sin City has increased, according to the Las Vegas Convention and Visitors Authority. New regions such as Pennsylvania have also seen growth. Restaurant operators, including celebrity chefs, play a large role in attracting consumers to casinos and keeping them on premise.  
  • Cruise Ships: The number of worldwide cruise-ship passengers increased steadily between 2007 and 2009, reaching 13.4 million in 2009—up a modest 3.0 percent over 2008. Cruise ships have been segment pioneers in leveraging foodservice as a lure to new passengers, not only by adding celebrity-chef-designed restaurants but also by creating cooking-class cruises with demonstrations by culinary experts.  
  • Bowling and Entertainment Centers: A few chains, such as AMF 300 and Splitsville, are moving ahead with plans to open centers where quality dining is the primary draw and bowling alleys are secondary. When the economy brightens, many other centers will follow the lead of these companies. In the meantime, operators are offering family packages and adult-focused theme nights to court customers.  
  • Zoos, Race Tracks and Others: Zoos, aquariums, horse and auto racing tracks, fairs and other entertainment attractions have seen declining admissions. These sectors have responded by reducing ticket prices to draw traffic, promoting foodservice facilities as an important reason to visit, and offering more trend-forward food and beverages to create a sense of excitement. 
  • Stadiums/Arenas: Attendance is down in some but not all markets for major sports, and this remains one of the segment’s strongest subsections. Every other category would love to build foodservice revenues as stadiums have done. Concessions have been improved; popular brand names are common; full-service restaurants are proliferating; and the quality of in-suite catering matches that of fine-dining restaurants.


Technomic’s Recreation Foodservice Report provides an in-depth understanding of recreation foodservice’s major components: casinos, cruise lines, theme/amusement parks, stadiums and arenas, sports clubs, movie theaters, bowling centers, museums, zoos and race tracks. For each of these categories, major players are identified and the present and future role of foodservice is analyzed.

About Technomic
Technomic provides clients with the facts, insights and consulting support they need to enhance their business strategies, decisions and results. Its services include numerous publications and digital products, as well as proprietary studies and ongoing research on all aspects of the food industry.

Pictures from TiLEforum 2011

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Professor Peter HigginsRichard CurtisRobert SimpsonYael Coifman
Martin BarrettDr. Terry StevensDr. Andreas BraunDenis IvosovicRick Ray
TiLEforum 2011 DinnerEspresso Bar Lucy Von WeberLarry GilbertThe Wise Men
Ashleigh KingOliver Vicars-HarrisGeorge WiktorProfessor Peter HigginsFranz Fischnaller
TiLE Forum 2011, a set by uberschnapp on Flickr.

Alan Wilkinson of Electrosonic took these photos of speakers and delegates at TiLEforum 2011, which took place Oct 26-27 in Italy. Among those photographed are Robert Simpson of Electrosonic, George Wiktor of the GW Group, Malcolm Lewis of Media Projects International, Donna Davidson of BRC Imagination Arts, Chris Conte of Electrosonic and Richard Curtis, founder of TiLE. More info about TiLE and TiLEforum at www.tileweb.org.

Super 78 creates Typhoon 360 for maritime museum at Resorts World Sentosa

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Typhoon 360 Unleashes Powerful Storm to Introduce 9th Century Maritime Silk Road Theme

SINGAPORE — A new attraction at the Maritime Experiential Museum and Aquarium (MEMA) at Resorts World Sentosa in Singapore is bringing visitors face to face with the mother of all fears – their own mortality thanks to a face-to-face simulation of the raw power of a southern Pacific typhoon.

Typhoon 360, the primary focal point at the MEMA, literally and figuratively sinks the audience of up to 150 into the story of ninth century merchants working on a trading vessel along the Maritime Silk Road as a massive typhoon hits. Thanks to state-of-the art, real time effects including robotic, high-resolution projections, passengers find themselves in the depths of the ocean, up close with the shipwreck and magnificent marine life.

“Typhoon 360 is not your typical museum attraction. By engaging the senses through a number of special effects, we are able to deliver an experience that’s filled with a great deal of intensity and emotion,” said Brent Young, CCO and Creative Director for Super 78 Studios, the Hollywood-based attraction design firm that created Typhoon 360. “The attraction leverages the lore of a great Chinese story and fuses it with dramatic American cinematic effects that will catch many by surprise because of its authenticity.”

Typhoon 360 deploys an array of dramatic visual and special effects that include six hurricane fans, extreme temperature changes, strobe lights, and heavy-duty transducers that allows the audience to feel the vibration as the ship breaks apart around them via 360-degree circle vision.

“The Maritime Museum and Typhoon 360 round out the portfolio of attractions at Resorts World Sentosa, creating a unique world class cultural icon in Singapore,” said Dina Benadon, Super 78 principal and CEO.
Typhoon 360 plunges museum-goers into the 9th century tale of the final voyage of a merchant vessel which is lost at sea while transporting an ornate chalice, a wedding gift from the Chinese Emperor to the Sultanate of Oman.

The story begins as the captain of the vessel agrees to the mission despite the trepidation of his crew and sets out as the captain establishes his own son as the ship’s first mate. The voyage proceeds calmly until the ship encounters an intense night storm.

Despite efforts to steer clear of the squall, the crew and the audience soon find themselves in the middle of a fierce south pacific typhoon. The ship journeys on, valiantly attempting to avoid a labyrinth of rocky formations as it’s constantly buffeted by waves.

Eventually, the ship’s luck runs out as it hits a mountainous rock head-on. The silence that follows is broken by the cries of Father and Son. Their cries dissipate as their fates part ways and the captain’s son is washed overboard and climbs to the safety on one of the rocks.

As the ship and crew begin to descend into the depths, so does the audience. The screen around the audience expands until everyone finally comes to rest on the sea floor. Completely submerged, guests get a stunning look at a series of real and projected undersea formations.
From above, the chalice slowly cascades by, and comes to rest on one of the rocky formations in the theater. As the music swells one final time, a group of majestic jellyfish ascend from the bottom screen toward the surface, as if they are the risen spirits of the ship’s crew.

Over the course of the 10-minute experience, the audience sinks a total of 40 feet as the film area expands in concert with the drop almost doubling the size of the screens and filling their field of vision. At the conclusion, the audience is transported back to present day as the theater doors open to reveal the aquarium section of the museum, complete with a model of the ship they sailed on during the Typhoon 360 experience.

Super 78 is no stranger to the immersion attractions, having produced larger-than-life projects for beloved theme parks around the world, including Busch Gardens, Sea World and Universal Studios. However, the major aspect that sets the Typhoon 360 experience apart from most other attractions is the aggregation of a live action, 360-degree screen, and real-time special effects.

Working with Super 78 on the Typhoon 360 project was Ralph Appelbaum Associates, one of the largest museum design and planning firms in the world and the designer for the MEMA.

“Working with our partners — Sunray Woodcraft Construction, Resorts World Sentosa, Ralph Appelbaum & Associates, and design and architectural consultants DPC and DPA of Singapore – we were able to navigate various cultures, communication styles, geographical locations, and a tight schedule to deliver a cultural attraction that is both compelling, immersive and educational – and in so doing, fulfilling the overarching objectives of the Maritime Experiential Museum and Aquarium,” said Michael Palmieri, executive producer for Super 78.

The museum overlooks the Resorts World Sentosa waterfront and features an experience that covers maritime talks, children’s workshops and exploration on life-size replica historical ships.

Mindi Lipschultz produces interactive media for "Eco Challenge" exhibition at Discovery Science Center

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Mindi Lipschultz, Emmy and Thea Award-honored media producer, continues her tradition of innovative digital works, with the new “Eco Challenge” exhibit, that opened in September at the Discovery Science Center.  

Santa Ana, Calif. USA — “Eco Challenge” at the Discovery Science Center is a three-part immersive, media-based experience that uses interactive video game technology as a medium to educate children about environment-friendly choices in food shopping and recycling. Mindi Lipschultz, under contract to exhibit producer Cinnabar Inc., created media to help realize Discovery Science Center’s concept design for each of the three zones within Eco Challenge (Discovery Market, Race to Recycle and Eco Garage). Mindi’s work included developing and creating six distinct, life-size digitally animated, 3D-rendered characters that appear, reappear and interact with visitors throughout the experience – showing up on a variety of digital displays from 52″ vertical monitors down to 15″ shopping cart screens.


“Sandra” – Eco Crew member

Visitors meet “Susie” in Meat & Seafood.


“Mindi’s attention to detail and inventive spirit helped produce an exceptional product that fulfills the goals of the exhibit and serves the museum’s mission in a fresh, modern and original way,” said
Cinnabar President Jonathan Katz. “We were brought into this project and given the project’s vision,” explained Katz. “With the museum’s guidance, we completed the design/build work, assembled a team to accomplish the completely integrated project, including Mindi – a longtime Cinnabar collaborator – as media producer, and BBI Engineering for A/V systems and mechanical interfaces.” The exhibit comes out of a partnership between DSC and OC Waste and Recycling.

Discovery Market is a life-size recreation of a grocery store, complete with touch screen-enhanced shopping carts and interactive scanners. It is where most of the animated characters are found. At the entrance, “Sandra,” an animated greeter character prompts visitors to grab a shopping cart. They choose a shopping list from the cart’s built-in monitor and move around the store, where they respond to questions posed on the screens, select products and scan barcodes from the shelves to submit their answers.

Eco Crew member “Courtney”



Interactive media production

“Interactive media production isn’t just about compelling images or unusual formats. The producer’s role extends beyond the media per se to the entire visitor experience,” says Mindi. In the case of Eco Challenge, which is highly interactive, Mindi oversaw the development of custom software (provided by Wall Street Productions) for the Super Eco-Shopper Game. The custom software integrates automatic responses to visitor activity into the experience such as triggering a camera to photograph players and instantly transmit their pictures – so that those who excel appear on the Super Shopper Wall (a bank of monitors), and if they get all the questions right, the system also directs a token dispenser to reward them with a custom coin. The tokens are embossed with the faces of the six characters and kids are encouraged to play numerous times and collect them all.

“The exhibits teach the kids about eco-choices, and they go home and teach their parents,” noted Mindi. “I like that – it builds a better future and a better now.”


The museum allowed Mindi latitude in developing the personalities and looks of the characters that populate the exhibit. “I wanted to create characters that kids could identify with and remember,” explained Mindi. “We made them quirky and memorable.” “Courtney,” for example, awakens from her Zen-like, kaleidoscopic meditation of floating fruit when visitors summon her by pushing the “Help” button in the produce department while “Susie,” a forceful young clerk with purple-streaked hair emphasizes her points with a meat cleaver in hand and rails against Styrofoam packaging. Mindi brought Artifact Design onto the team to provide character animation.

Media design + environmental design
Beyond the personality of the characters, much time and attention were given to the digital environments in which the characters reside.

“The worlds of the animated characters needed to blend seamlessly with the built environment in order to make the experience feel as real as possible,” explained Mindi. She worked closely with Cinnabar, passing digital images back and forth to ensure the animation mirrored the Cinnabar-fabricated physical products kids see and touch in the store. Additionally, walls, countertops and other aspects of the digital environments were carefully crafted to match and flow into the real ones (also fabricated by Cinnabar). “It was a true blend of media design and environmental design,” said Mindi. A body of museum work

Mindi Lipschultz and Cinnabar have collaborated in their respective roles of media producer and exhibit producer in the past, such as on the California Academy of Sciences which reopened to great acclaim in 2008. There, Mindi produced some 31 pieces of digital media including the Insect Collecting Game in which visitors use a handheld wand interacting with images onscreen to learn how a field scientist works. “The Insect Collecting game was an important example of how gaming technology can be applied for educational exhibits that appeal greatly to children,” says Mindi.

In 2010, Mindi worked with BRC Imagination Arts to develop media for a handheld interactive device for the Information and Communications pavilion at the 2010 Shanghai World Expo. Members of the audience used the devices to make individual choices and also to interact with large screen projections, experiencing the show on both a personal and a group level in what is termed “mass customization.” The “ICT” device was honored with a Thea Award for Outstanding Achievement by the Themed Entertainment Association.

Mindi sees her work on Eco Challenge as building upon much of her prior work – over 20+ years of pioneering digital media production. “Eco Challenge takes the interactivity of the Insect Collecting game at the California Academy of Sciences and makes it mobile, allowing kids to move around the store, scan items and receive instant feedback on their progress. Moving through the different levels at Eco Challenge at their own pace and ability, visitors enjoy a mass-customized experience – shades of what we did at Shanghai. And Eco Challenge’s high-quality digital characters hearken back to my work as a television animation producer.”

About Mindi Lipschultz
Dubbed a “digital guru” by Post Magazine, Mindi Lipschultz has been involved in the production of extraordinary and innovative media for television, museums and themed entertainment industries as a producer, director, editor and innovative thinker for some three decades. Prior to being contracted by Cinnabar to produce media for “Eco Challenge,” she worked on a project for the Shanghai 2010 World Expo. BRC Imagination Arts contracted Mindi to produce media for the Information and Communication Pavilion at the Expo.

Prior to her work on the Expo 2010 pavilion, Mindi completed a two-year project as senior media producer for 35,000 sq. ft. of natural history exhibits at the new California Academy of Sciences, for which she designed and produced 31 cutting edge media experiences including a “Wii” game-like virtual expedition to Madagascar as well as other interactive games and documentaries.  
Lipschultz was creative director and senior producer for the design of more than 50 technology based media segments for the Las Vegas Springs Preserve. She was producer of an 80-year retrospective of science fiction films that is the centerpiece exhibit of Paul Allen’s Science Fiction Museum in Seattle and oversaw the integration of its groundbreaking, five-projector format that displays the high-resolution digital film on a large suspended globe, and for Showtime Networks she designed the production pipeline and served as line producer for the first animated high definition animated TV series ever aired (Free For All). 
Her awards include a Thea Award for Outstanding Achievement (for her work on the ICT Device for the Information and Communications Pavilion at Shanghai Expo 2010), two contributing Emmys and one Emmy nomination for outstanding editing on three PBS television series, and five Telly awards for broadcast production work.
For more information on Mindi Lipschultz and her work, visit her blog.