Monday, September 26, 2022

The art of placemaking

Issue 90 editorial by Judith Rubin

It is such a pleasure to be able to travel again and on a recent trip, I did some catch-up with Universal parks in Orlando and animal attractions in Tampa.

At Universal Studios Florida and Universal’s Islands of Adventure, my priorities were The Bourne Stuntacular, Hogwarts Express and The Wizarding World of Harry Potter – Diagon Alley. All received Thea Awards within the past few years. These state-of-the-art adventures set a new standard for how to bring an IP to life using media, the built environment and live action — stoking high levels of throughput and per cap spending.

Of course, Stuntacular is a short show, while at Diagon Alley you could hang out all day long. It’s placemaking at its best — in this case, a Harry Potter-themed bubble, loaded with options for the here-and-now you invent.

Placemaking doesn’t have to involve a licensed IP. Zoo Tampa is simply a great day and clearly a local favorite. It has an inviting, richly landscaped strolling environment, plenty of F&B options, and a strong annual pass program. Habitats are thoughtfully designed for animal health, enrichment and the promotion of education, conservation and environmental awareness.

On Tampa Bay, Clearwater Marine Aquarium (CMA) has opened its grand, new four-story facility. It launched mid-pandemic, so this extensive, beautifully executed upgrade has not received the degree of attention that should have been its due. The scale of its new habitats and viewing portals provide excellent facilities for the animals with stunning, monumental views for visitors while supporting the mission of education, conservation and rehabilitation. CMA has a hospitality partnership with a nearby beachfront hotel named for Winter, the rescue dolphin with a prosthetic tail who captured the hearts of the public. Winter recently passed away and a coming VR experience at CMA will allow guests to go on virtual swims with her.

I’m inspired by and proud of this outstanding work by our industry.

Judith Rubin
Judith Rubin
Judith Rubin ([email protected]) is a leading journalist, publicist, strategist, blogger, content marketing specialist and connector in the international attractions industry. She excels at writing about all aspects of design and technical design, production and project management. Areas of special interest include AV integration and show control, lighting design and acoustics, specialty cinema, digital video and world’s fairs. Judith has ties to numerous industry organizations. From 2005-2020 she ran communications, publications and social media for the Themed Entertainment Association (TEA). In 2013, she was honored with the TEA Service Award. She was development director of IMERSA, and co-chair of the 2014 IMERSA Summit. She was publicist for the Large Format Cinema Association in the 1990s, now part of the Giant Screen Cinema Association (GSCA) and has also contributed to the publications of PLASA, IAAPA and the International Planetarium Society. Already making her mark as a magazine and book editor, Judith joined World’s Fair magazine in 1987, which introduced her to the attractions industry. Launching as a freelancer in the mid 1990s she has contributed to dozens of publications and media outlets including Funworld, Lighting&Sound America, Sound & Communications, Urban Land, The Raconteur and The Planetarian. She joined InPark in 2010. Judith earned a Bachelor of Fine Arts from Pratt Institute. She has lived in New York City and the San Francisco Bay Area, and now makes her home in Saint Louis, where she is active in the local arts and theater community.

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