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Electrosonic Offers Preview of 21st Century Technologies at the Information & Communications Pavilion at Expo 2010 Shanghai China

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Visitors flocking to the Information & Communications Pavilion at Expo 2010 Shanghai China get a taste of cutting-edge information and communication technologies (ICT) to come when they tour the attraction presented by China Mobile and China Telecom. Contracted by long-time client, BRC Imagination Arts, Electrosonic designed and installed the audio, video and control systems featuring multiple, large-scale projection systems; High Definition displays, customized show control and multi-channel audio playback systems. Renowned for its award-winning approach to emotional design and production BRC was the creator and producer for the world’s first Multi-Dimensional Interactive Network pavilion. Allowing visitors to move through a high capacity attraction and personally engage one-on-one with the shows and exhibits, bringing mass customization to visitor’s experience.

As soon as visitors enter the pavilion they pick up their ICT Mobile Device, a futuristic, handheld, personal communications device that accompanies them on their interactive journey through the attraction. Electrosonic provided the 802.11 wireless network for the ICT Mobile Device which enables visitors to interact with the pavilion’s show/exhibition elements, displaying video and a host of other interactive capabilities. The ICT Mobile Devices were designed by BRC Imagination Arts and provided by Linkon; a Chinese technology company.

“We’re always doing new custom applications that are very challenging,” says Electrosonic senior project manager Thursby Pierce. “Our Medialon show-control master controller sends cues via the wireless network to allow the ICT-equipped visitors to follow in sync with all the shows. Show control knows where each visitor and their ICT Mobile Device are at any given time and, based on the show in that part of the pavilion, plays synchronous content that relates to that particular experience.”

Earlier, visitors waiting outside in the Dream Garden were treated to a preview of the pavilion displayed on 13 Sunbrite weather-resistant 42-inch LCD monitors with audio support from a complement of JBL speakers.

Once they enter the Information & Communications Pavilion’s Welcome Lobby they are issued their ICT Mobile Device, log onto the network, create their own personal Dream Profile via the touch-screen on their device and watch welcome videos on four 42-inch clustered Panasonic LCD monitors facing out in all directions.

Then they proceed to the “Progress Begins as a Dream” pre-show interactive experience where five Christie DSP+6K-M projectors display edge-blended animated content documenting the history of communications in China on a 68-foot curved screen while changing colored lights coordinate with the animation in the interactive space. Electrosonic also provided the full multitrack surround system.

Visitors settle into the “Dream Big” Multi-Dimensional Interactive Network Theater for the main show on an IMAX-style Stewart Film Screen, measuring 71×38 feet with a slight curve, and on 32 panels that form an immersive media canopy arcing over the audience. Four Christie HD10K-M projectors deliver the edge-blended imagery in horizontal and vertical quadrants to the big screen. Four additional projectors display supporting images in multiple window-type frames on the canopy; they also warp and morph some content onto the big screen.

Electrosonic supplied the multitrack surround system for the “Dream Big” Theater experience and furnished tactile transducers that enable audience members to feel the low-frequency sounds through their seats.

After the main show visitors can play the “Dream Lantern Collection Game” using their ICT Mobile Device to interact with the post show exhibitions using RFID technologies. Visitors can collect dreams, win prizes and learn more about future information and communication technologies (ICT). They can also watch a series of post-show videos highlighting the future of ICT on a pair of 65-inch Panasonic plasma screens and on four 42-inch Panasonic plasmas screens located around the “One Connected World” exhibition hall.

Visitors return their ICT Mobile Device as they exit the pavilion. When they’re back home visitors can retrieve their collected dreams, virtual prizes and connect with other dreamers by logging onto the Information and Communications Pavilions social network website customized by the choices the visitors made during their experience at the pavilion.

Multiple control rooms, featuring Extron JMP9600 and MMP9500 video playback servers, are located throughout the facility; the majority of show systems are concentrated in the primary Show Equipment Room. Electrosonic also equipped a pair of carts with high-resolution document cameras which are rolled out for future information and communication technology product demonstrations. Electrosonic associate project manager Matt Sweeney and audio engineer and tech lead Phil Shaw remain onsite to supervise the Chinese crew; Electrosonic is contracted to perform the strike for the pavilion at the conclusion of the Expo.

Electrosonic Design Consulting provided guidance to the exhibit designers on AV equipment selections, projection geometry, facility impact, and budgeting. The team starts by responding to the creative drawings provided by the designers and identifying equipment that meets the creative intent. A number of projection studies were produced for the venue that demonstrated proof of concept and allowed them to verify the equipment selections. Electrosonic Design Consulting also create facility impact drawings, which provide cable, electrical power and heating/cooling requirements to the project’s engineers so they can design the infrastructure that allows all of the AV equipment to operate properly. The decisions from these initial consultations set the groundwork for how the overall systems would operate. Each project was turned over to the Electrosonic Engineering Department for further refinement, fabrication and installation.

From the celebrated Expo67 in Montreal to the last major Expo in 2005 in Aichi, Japan, Electrosonic has an extensive credit roster of international expos stretching from Brisbane and Osaka to New Orleans and Lisbon. Electrosonic’s participation in Expo 2010 Shanghai now pushes the number of projects the company has completed for these fairs to over 50.

Electrosonic’s Steve Calver and Thursby Pierce served as project mangers for the pavilion with Dan Laspa onsite project manager, Dennis Rambo site supervisor and Nir Elnekave projectionist. Nancy Liu was regional sales director and Benjamin Lein account executive.

BRC taps digital media pioneer Mindi Lipschultz for world expo pavilion

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Related story: Electrosonic designed AV and control systems for Information & Communications pavilion

View InPark Magazine’s special issue on Shanghai Expo 2010.



Raising the bar for mobile media production

Emmy winning digital media pioneer Mindi Lipschultz was engaged by BRC Imagination Arts to direct and produce some 80 animated and interactive media segments for the Information & Communications Pavilion presented by China Mobile and China Telecom at Expo 2010 Shanghai.

BRC was creator, designer and executive producer of the pavilion. The Shanghai Expo, which opened May 1 and will run through October 31, is the largest world’s fair ever raised, with a projected total attendance of 70 million visitors. The theme of the expo is “Better City, Better Life.”

A multi-dimensional guest experience
and vision of future communications technology

Engaging visitors on multiple levels as they pass through the five experiences of the 6,000 square meter pavilion, the client’s vision of future communications technology unfolds simultaneously on large theatrical and high-definition video screens and via custom server- and RFID-triggered interactive handheld devices. Sequences and images on the special mobile devices correspond with the action on the big screens and prompt visitors to make selections, building their own custom web pages via which they may continue the experience offsite.

“It was a great pleasure to help fulfill BRC’s brilliant design concept for the pavilion,” says Lipschultz, “and it was incredible to collaborate with the legendary Bob Rogers and Christian Lachel, BRC’s VP and Creative Director on the project.”

“Mindi was the perfect fit to lead the interactive media team,” says Christian Lachel. Full story here. More images here. Mindi’s blog here.

Photos: 1. Mindi Lipschultz, independent media producer.
2. © BRC Imagination Arts, Inc.
Visitors to the Information & Communications Pavilion at Shanghai Expo 2010 use custom handheld ICT devices to make selections for creating personal media and interact with the content on the big screens in the theaters.

Lisa Thorburn Presents White Paper on Doing Business in China at SMPS Conference.

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San Francisco, CA – Thorburn Associates Principal Lisa Thorburn presented her White Paper entitled China 2020: How China´s Growth and Future Will Impact Business Development in the A/E/C Industry at the 2010 SMPS (Society for Marketing Professional Services) Build Business™ conference in Boston.

The paper, which focuses on strategies for companies in the Architecture, Engineering and Construction (A/E/C) fields, also explores the general business practices and customs of China and provides valuable insight for anyone looking to expand their business in that direction. Thorburn researched a host of A/E/C companies currently working in China as well as drew upon Thorburn Associates’ own global business experience.

“Most people understand that marketing a business in China requires a great deal more preparation and groundwork than in most Western countries,” explains Thorburn, “but few realize how dynamic of an environment it is in China right now.” Many of the skills necessary to succeed in this rapidly growing market are directly transferable to other markets – building trust and developing relationships is one example.

Thorburn put the finishing touches on the White Paper during a recent visit to China for the World’s Fair in Shanghai. “The Olympics in 2008 and Expo 2010 are showing the world that China’s paradigm for doing business with Westerners is changing,” says Thorburn. “I wanted to be able to share the insights we have gained at Thorburn Associates with others.”

Thorburn presented the paper at the SMPS Build Business™ conference in Boston in mid-July. The SMPS Foundation, a non-profit educational collaboration, sponsored the White Paper as part of its annual series of educational sessions and White Papers. The White Paper is available for viewing online at http://www.smps.org/Content/NavigationMenu/Foundation/Research/default.htm

InPark Now Available on iPad


MILWAUKEE, WI – InPark Magazine is now available on Apple’s iPad device. iPad users can now download the free MagCloud application from the iTunes store and view all current issues of InPark Magazine. The magazine’s back issues are also being added over the next few months.

“Providing InPark on the iPad allows easier access to industry news and the great reporting InPark has provided over the last five years,” says publisher Martin Palicki. “We are one of the first in the industry to create an iPad version of the magazine, providing ideal portability and readability while using the latest technology.”

The iPad allows users to scroll between pages and zoom in on content they want to see, all with simple finger movements. A print copy can also easily be ordered directly off of the iPad and delivered in about a week. The MagCloud application also allows users to download and view a variety of specialty magazines at no cost.

Accessing InPark Magazine for the iPad is simple:

1) Log into the iTunes apps store.
2) Search for and download the FREE “MagCloud” app.
3) Open the MagCloud app and search for InPark Magazine.
4) Select issues to download to your iPad.

InPark Magazine publishes five times a year and focuses on the themed entertainment markets, especially theme parks and waterparks. Print subscriptions are available for a nominal fee. Digital subscriptions are available for free. For more information, visit www.inparkmagazine.com.

InPark Now Available on iPad

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MILWAUKEE, WI – InPark Magazine is now available on Apple’s iPad device. iPad users can now download the free MagCloud application from the iTunes store and view all current issues of InPark Magazine. The magazine’s back issues are also being added over the next few months.

“Providing InPark on the iPad allows easier access to industry news and the great reporting InPark has provided over the last five years,” says publisher Martin Palicki. “We are one of the first in the industry to create an iPad version of the magazine, providing ideal portability and readability while using the latest technology.”

The iPad allows users to scroll between pages and zoom in on content they want to see, all with simple finger movements. A print copy can also easily be ordered directly off of the iPad and delivered in about a week. The MagCloud application also allows users to download and view a variety of specialty magazines at no cost.

Accessing InPark Magazine for the iPad is simple:

1) Log into the iTunes apps store.
2) Search for and download the FREE “MagCloud” app.
3) Open the MagCloud app and search for InPark Magazine.
4) Select issues to download to your iPad.

InPark Magazine publishes five times a year and focuses on the themed entertainment markets, especially theme parks and waterparks. Print subscriptions are available for a nominal fee. Digital subscriptions are available for free. For more information, visit www.inparkmagazine.com.

Cruise Ships: FUNA Int’l & BSS Audio add advanced networking and control to Oasis of the Seas

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Highlighting the largest and arguably most difficult cruise ship assembly in the world, global design, engineering and consulting firm FUNA International has outfitted Royal Caribbean’s Oasis of the Seas cruise ship with a multitude of BSS Audio Soundweb™ London processing devices. With more than three decades of experience in designing and integrating audio systems on the world’s largest watercrafts, FUNA has deployed Soundweb London devices extensively in various projects throughout the past eight years, including the last four new cruise ships built out of its Turku, Finland manufacturing facility.

“As BSS Audio signal processors have continued to become more advanced in their ability to provide comprehensive system networking and control, we have been able to use them in more complex and larger applications,” stated Derek Warner, Senior Project Manager, FUNA International. “The Soundweb London platform provided us with a quality product, which was very user-friendly for our programmers. Collectively, we were able to pre-program and test our system prior to installation; a big help as our time for onsite programming can be very limited.”

The cruise liner contains four major theaters, each requiring a vast and greatly detailed sound installation.

Electrosonic Provides AV support to USA Pavilion at Shanghai Expo 2010

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For the USA Pavilion at Shanghai Expo 2010, Electrosonic provided show designer/producer BRC Imagination Arts with system technical design, engineering, fabrication, installation, encoding and show technical programming for the AV and control systems in the pavilion lobby, preshow and main show theater.

Electrosonic Design Consulting provided guidance to the exhibit designers on AV equipment selections, projection geometry, facility impact, and budgeting. A number of projection studies were produced for the venue that demonstrated proof of concept and allowed them to verify the equipment selections.

From Montreal 1967 to Aichi 2005 and now Shanghai 2010, Electrosonic has completed more than 50 world expo projects. Electrosonic’s project manager for the USA Pavilion at Shanghai 2010 was Steve Calver, with Clay Fullen as site supervisor and Gary Belshaw handling show control programming. Electrosonic and BRC have worked together on numerous Expos in the past.

Dollywood Theme Park Announces 2011 Project

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High-flying high jinks take to the sky at Dollywood for the 2011 season with the new Barnstormer ride, a $5.5 million family thrill ride situated in a barnyard-themed area which also includes play areas for younger guests.

“I remember my daddy and granddaddy talking about the old barnstormers that used to do all kinds of crazy stunts above the fields where they’d work crops,” Dolly Parton said. “My new Barnstormer ride offers folks those same breathtaking moments, high in the sky above Dollywood. And I’ve recreated a critter-themed barnyard that reminds me of growing up on the farm here in the Smoky Mountains!”

Taking its name from the daring aerialists and stunt pilots of the 1920s, the Barnstormer features two pendulum arms with seating for 32 riders. Seated back to back, riders travel progressively higher on each swing of the Barnstormer’s massive arms, reaching a maximum speed of 45 miles per hour and 230 degrees of rotation. At its peak, the Barnstormer reaches a staggering 81 feet in the air, taking riders high above the barn’s rooftop and the area’s treetops. Situated in the lush foothills of the Great Smoky Mountains, the Barnstormer rests amid a traditional red barn on the Owens Farm, a nod to Parton’s family’s rural upbringing.

While the Barnstormer fills the air above the barn, children’s play areas dot the landscape around the barn. With a fun, barnyard theme, children can enjoy a 22-foot by 16-foot bi-plane play area as well as a pig pen water play area.

-The Barnstormer has a ride capacity of 450 passengers per hour, and a 48-inch minimum height requirement.
-The Barnstormer is adjacent to the Mountain Slidewinder, one of the park’s most popular rides which opened in 1987.
-The new area opens in March 2011 to usher in Dollywood’s 26th operating season.

The number one ticketed attraction in Tennessee, Dollywood is an award-winning 150-acre family adventure park located in Pigeon Forge near the entrance to Great Smoky Mountains National Park. Open nine months a year (late March to early January), Dollywood hosts four of the South’s largest festivals and offers more than 40 rides and attractions, including Thunderhead, twice named the world’s No. 1 wooden coaster, and Mystery Mine coaster, Theme Park Insider’s 2007 Best New Attraction. In addition to the 2009 Golden Ticket Award for Best Shows, Dollywood is the recipient of 15 Big E Awards in recognition of the park’s live entertainment which features country, bluegrass, gospel and Appalachian music. The Golden Tickets’ 2007 Publisher’s Pick for best theme park, Dollywood also is a two-time winner of the Golden Ticket Award for Best Christmas Event. In addition, a dozen crafters authentic to the East Tennessee region demonstrate daily. For more information, visit www.dollywood.com.

Ride Speed: 45 mph (72.4 kph)
Travel Direction: 230-degree pendulum arc
Passenger Capacity: 32
Ride Vehicles: 2 pendulum arms which seat 16 passengers each
Ride Duration: 60 seconds
Operating Temperature: 32 degrees
Capacity: 450 passengers per hour
Minimum Height
Requirement: 48 inches
ADA Accessible: Yes, with a custom-designed ADA seat
Non-motion Dimensions: Height: 64 feet
Width: 29 feet 9 inches
Length: 60 feet
Operating Scope: Height: 81 feet
Width: 60 feet
Length: 110 feet
Project Cost: $5.5 million
Manufacturer: S&S Worldwide, Inc.
Scheduled Debut: March 2011

Content & Communications World conference 13-14 Oct in New York

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Content & Communications World (CCW, taking place in New York Oct 13-14, 2010) is billed by organizers as “the fall’s premier conference and exhibition for media, entertainment and communications technology.” CCW features business solutions for content creation, management and delivery, along with a range of satellite, fiber, and IP communications solutions. CCW includes HD World, SATCON and 3D World conference and expo. Qualified end-users get a free full conference pass and other industry professionals may qualify to attend the expo, keynotes and sponsored sessions for free. Full information here.

Cinnabar’s design/build approach helped fast-track production for new Age of Mammals exhibition at Natural History Museum of Los Angeles County

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LOS ANGELES, 3 August 2010 – Cinnabar Inc. helped realize the creative vision for the new, permanent, 7,700 sq ft Age of Mammals exhibition and rotating displays in the Haaga Family Rotunda Galleries that opened July 11 as part of the ongoing “NHM Next” $91 million, 82,000 square foot transformation of the Natural History Museum of Los Angeles County. Brought onto the creative team by Simon Adlam (NHM director of exhibit production) just 10 months out to collaborate in redesigning the exhibit systems, in addition to fabricating and producing them, Cinnabar implemented a “design/build” methodology to make the most of available time and resources, bringing the project in ahead of schedule. NHM’s Adlam brought together and led the team that included Cinnabar, graphic design firm KBDA, NHM curators, NHM research scientists and museum staff.

Cinnabar’s museum portfolio includes producing 35,000 sq. ft. of exhibits for the lauded new California Academy of Sciences, recently honored with a SEGD Design Award & three IES Exhibit Lighting Design awards, as well as exhibit fabrication and production for recent exhibits at the Autry Museum and the Jet Propulsion Laboratory.

Billed by NHM as “an exhibition “65 million years in the making,” Age of Mammals exemplifies the institution’s new way of presenting its collections and research in the context of big-picture issues such as climate change and evolution. The exhibition presents a total of 240 specimens, including 38 articulated mammal skeletons to illustrate NHM’s theme “Continents move. Climates change. Mammals evolve.” The Rotunda displays were created to house rotating exhibits from NHM’s 35 million object collection, beginning with the current What On Earth? as well as the display of Charles Knight paintings located on the second level.

Engineering, scheduling and creative challenges met
The exhibit systems that Cinnabar provided include custom specimen cases, modular information rails and exhibit platforms integrated with large specimen mounts, kiosks (audiovisual systems provided by others) and mechanical interactives. For the Rotunda, Cinnabar built the interior portion of the exhibit cases including decorative display systems with graphics and custom specimen mounts (produced by ELY, Inc.) All are designed along clean, simple lines that complement the interior of the 1913 Beaux Arts building.

Part of the process for Cinnabar was helping to design and implement an exhibition system that would, from a structural engineering standpoint, facilitate these large, heavy displays in a 1913 era building, and satisfy current seismic and safety codes. To spare the floor and distribute the weight the exhibit structures are supported from steel studs welded to the main beams, floating the structures about one inch above the floor. Cinnabar also devised a system to anchor glazing to the front of the displays rather than rest it on the floor.

Cinnabar CEO Jonathan Katz credits the design/build approach and Adlam’s leadership for the success of the project. “NHM’s new exhibitions are an outstanding example of what this collaborative approach can achieve,” says Katz. “Design/build is the new warp-speed project production model of the 21st century, and NHM’s new exhibitions are an excellent example of what can be accomplished – how a team can work on an accelerated schedule to fulfill the vision without compromising quality. Concerns are addressed and resolved jointly and quickly, from structural engineering to the choice of colors and finishes. Creative problem solving, teamwork and leadership are key, and the cost savings are truly significant.”

About Cinnabar

Cinnabar Inc. is a company of designers, artisan builders and producers creating unique experiences for the museum, entertainment and cultural industries. Founded in 1982, Cinnabar California, Inc. is one of the entertainment industry’s leading production and fabrication companies, providing specialty fabrication for television, film and themed venues. In recent years, Cinnabar has been at the forefront of developments that have seen the integration of innovative new approaches to the process and production of museum exhibitions.