Wednesday, April 21, 2021

Museums have protective gear to donate

By Judith Rubin, InPark News Editor

ABOVE IMAGES: Grand Rapids Public Museum Facebook page

Recently, the Grand Rapids Public Museum donated thousands of protective face masks as well as a store of face shields, Tyvek suits and personal respiratory masks to a local hospital. The museum is located in Michigan which has been hard-hit with many COVID-19 cases.

Many museums have protective equipment of this kind, used for handling, restoring or moving artifacts or other items in their collections. Making donations of such items was the first thing on a list of four practical steps museums can take to help their communities and healthcare providers in the global pandemic, per a March 26, 2020 newsletter from the UK-based Museums Association.

Around the world, many more institutions, large and small, are stepping up. “Did you know that handling archival materials at some museums require N95 protective masks?” tweeted the Fairbanks House (Dedham, MA). “We are proud to donate ours in this time of need. We call upon other local museums to do the same!”

Artforum reported that conservators at the Stedelijk Museum, the Rijksmuseum, and the Van Gogh Museum in Amsterdam were donating their stock of face masks and surgical gloves to medical workers and hospitals. According to the Artforum report, the donations were catalyzed by a tweet from Erma Hermens, the Rijksmuseum’s technical art historian.

It’s heartening to see how the world’s museums have found ways to continue to fulfill their role in the community while their doors are closed to the public – by reaching out with content online and by donating much-needed supplies to protect workers on the front lines.

MORE INPARK COVID-19 COVERAGE:
Judith Rubin
Judith Rubin ([email protected]) is a leading journalist, publicist, strategist, blogger, content marketing specialist and connector in the international attractions industry. She excels at writing about all aspects of design and technical design, production and project management. Areas of special interest include AV integration and show control, lighting design and acoustics, specialty cinema, digital video and world’s fairs. Judith has ties to numerous industry organizations. From 2005-2020 she ran communications, publications and social media for the Themed Entertainment Association (TEA). In 2013, she was honored with the TEA Service Award. She was development director of IMERSA, and co-chair of the 2014 IMERSA Summit. She was publicist for the Large Format Cinema Association in the 1990s, now part of the Giant Screen Cinema Association (GSCA) and has also contributed to the publications of PLASA, IAAPA and the International Planetarium Society. Already making her mark as a magazine and book editor, Judith joined World’s Fair magazine in 1987, which introduced her to the attractions industry. Launching as a freelancer in the mid 1990s she has contributed to dozens of publications and media outlets including Funworld, Lighting&Sound America, Sound & Communications, Urban Land, The Raconteur and The Planetarian. She joined InPark in 2010. Judith earned a Bachelor of Fine Arts from Pratt Institute. She has lived in New York City and the San Francisco Bay Area, and now makes her home in Saint Louis, where she is active in the local arts and theater community.

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