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LA 3-D Club to Showcase Rare 3D Films In Celebration of Milestone Anniversaries

Los Angeles, CA, USA — The first meeting of the LA 3-D Club was held on July 21st, 1955. The first documented public exhibition of a 3-D motion picture took place on June 10, 1915 at New York’s Astor Theatre. The LA 3-D Club, LA Filmforum, and 3-D SPACE are proud to commemorate these important events with a very special presentation of 3-D RARITIES, an amazing collection of stereoscopic treasures dating back to the dawn of 3-D cinematography, followed by a Q&A with Bob Furmanek, founder and president of the 3-D Film Archive, and producer of these restorations. The event will take place at 2pm on Sunday, July 19th, at the Downtown Independent theater, 251 S. Main Street, in downtown Los Angeles. Tickets are on sale now at http://3drarities.bpt.me

Bob Furmanek
Bob Furmanek

They include: Kelley’s Plasticon Pictures: THRU’ THE TREES, WASHINGTON D.C., the earliest extant 3-D demonstration film from 1922 with incredible footage of Washington and New York City; NEW DIMENSIONS (aka MOTOR RHYTHM) the first domestic full color 3-D film originally shown at the New York World’s Fair in May 1940; THRILLS FOR YOU, a fascinating promotional film for the Pennsylvania Railroad, first shown in 1940 at the Golden Gate International Exposition in San Francisco; BOO MOON, an excellent example of color stereoscopic animation from 1953; DOOM TOWN, a controversial anti-atomic testing film which was mysteriously pulled from theatrical release after a few play-dates in July 1953; I’LL SELL MY SHIRT, a burlesque comedy unseen in 3-D for over 60 years; THE MAZE coming attraction trailer with fantastic 3-D production design by the legendary William Cameron Menzies, and much more.

Presented in high quality digital 3-D, all films in 3-D RARITIES have been restored and mastered in 2K from original 35mm elements for optimum quality. Meticulously re-aligned shot by shot for precise registration of the original left/right elements, these historic 3-D films have never before looked this good!

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In 1990, Bob Furmanek realized a majority of the world’s 3-D film heritage was on the verge of being lost forever. In response, he founded the 3-D Film Archive, an organization dedicated to rescuing, preserving and restoring our stereoscopic heritage. Over the next two decades, Mr. Furmanek preserved over fifty 3D films, and at one point, the Archive held the largest collection of vintage stereoscopic elements in the world. Over the past two -and-a-half decades, he has worked with NBCUniversal, Paramount Pictures, MGM/Park Circus, 20th Century Fox, Warner Bros, George Eastman House, the British Film Institute, the Stanford Theater Foundation, UCLA Film & Television Archive, the Museum of Modern Art and the Academy of Motion Picture Arts and Sciences. Most recently, Mr. Furmanek helped ensure the preservation of the 1954 feature GOG, and has spearheaded the home video release of the 1966 film THE BUBBLE through Kino and his own compilation of historically-important 3D shorts entitled 3D RARITIES through Flicker Alley. This compilation has since toured the country, selling out shows at such venues as the Museum of Modern Art. www.3dfilmarchive.com

Boo-Master

The LA 3-D Club was established in the Greater Los Angeles area in 1955 by a dedicated group of 3-D stereo photographers to further the art and science of stereoscopic photography. For six decades members have been meeting monthly to share images created through stereoscopic photography, computer generated imagery, and film and video. www.LA3DClub.com

Founded in 1975, Los Angeles Filmforum promotes a greater understanding of media art, and the role of the artists and curators who create and present it, by providing a forum for independently produced, noncommercial work which has little opportunity of reaching the general public. Filmforum is currently the longest-running venue in Southern California dedicated exclusively to the ongoing, non-commercial exhibition of independent, experimental, and progressive cinema. www.lafilmforum.org

3-D SPACE, the Center for Stereoscopic Photography, Art, Cinema, and Education, is a museum, gallery, theater, library and classroom dedicated to both the preservation of the history of stereoscopic imaging, and the advancement of current and future 3-D arts and sciences. The 3-D SPACE mission is to educate people of all ages in the art, science, and history of stereoscopy, stereography, and the principles and aesthetics of all forms of three-dimensional imaging, images and media. www.3-DSPACE.org

 

Reynolds Polymer Gives Sea Life Orlando Guests 360 Degree View of Ocean

Grand Junction, CO, USA — Sea Life Orlando, now one of the region’s largest aquariums, is open and prospering. SLO is a successful blend of traditional aquarium attributes and technological features. The aquarium has some 30 different aquatic displays and nearly 200,000 gallons of water. Interactive “talking” aquarium feeds and flat screen HD theaters educate guests on the 5,000 different sea creatures that call the facility home, which guests view through a variety of custom panels from Reynolds Polymer Technology.

Many who visit are reporting tunnel vision – a spectacular 360 degrees of it. This is due to a unique feature at Sea Life Orlando – a 20 foot long, unabridged tunnel that provides panoramic views of the surrounding underwater world. This is a rarity as most aquarium tunnels only provide 180 degrees of observation angle. The tunnel has a roomy diameter of nine feet and was constructed from nearly 15,000 pounds of pristine acrylic. Two inch thick R-Cast walls are enough to hold the water safely at bay while allowing guests to clearly witness sea turtles passing by overhead. Sandbar sharks, with their distinctive dorsal fins cutting through the water, swim only inches away at eye level.

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Also unique at Orlando is a seven foot tall R-Cast viewing tube that provides sight into the Atlantic Tank, the aquarium’s largest exhibit. As rays pass by above and below, a sunken Mayan statue gives the exhibit an aged mystique. It is as though perhaps fish and statue had been around for ages and were only recently discovered by man. From here one has a perfect vantage point to observe the 360º ocean tunnel as others walk through it in the distance, their bodies oddly distorted by the water in-between.

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Reynolds Polymer provided a variety of panels for Sea Life Orlando, including an 11 foot long demi-tunnel, a 20 foot long, 180 degree underwater tunnel with a concrete stem-wall, and several concave viewing “bubbles” that allow visitors to seemingly poke their heads into the ocean.

Shipping 15,000 pound tunnels across the country is no small feat, especially when they must arrive at their destination without a scratch. For the ocean tunnel, a custom, cylindrical, steel support frame had to be constructed in order to ensure safe delivery. This was in addition to the existing measures that are always taken by RPT’s shipping team, including Coroplast wrapping and reinforced edge protection for all panels.

“The same care that we put into our design and manufacturing processes also goes into our logistics services,”said Mike Nedrow, Director of Logistics at RPT. “Coordinating with general contractors to ensure a safe, speedy delivery is what often sets us apart from others in the industry.”

Hettema Group Reaches New Heights With Opening of One World Observatory

Pasadena, CA, USA (June 30, 2015) — The Hettema Group (THG) proudly announces the opening of the firm’s latest visionary project, the One World Observatory at the World Trade Center in New York, in collaboration with Legends, who owns and operates the Observatory, as well as other world class venues around the globe.

The award-winning creative design team was hired by Legends to conceive, design and produce the “once in a lifetime project,” said Phil Hettema, THG founder. “Legends is known around the world for creating stellar experiences that guests love, so we were honored to be selected to work closely with their team on One World Observatory. Of all the tremendous projects we’ve been privileged to work on, nothing comes close to the symbolic importance of One World Observatory,” Hettema noted. “We’ve been excited and energized by the challenge to create this unique visitor experience in this special place, and present it in the full context of past, present and future.”

Positioned on top of the tallest building in the Western Hemisphere – on levels 100, 101, and 102 of the One World Trade Center building – One World Observatory provides guests with unique, panoramic views of New York City, its most iconic sites, and surrounding waters from above 1,250 feet.

The customized guest experience utilizes a unique and compelling array of immersive technological and media based elements to complement the spectacular views of Tower One – which evoke feelings of the City’s signature pride, hope and determination – the experience also includes retail and dining options, including a sit-down restaurant.

The experience invites guests to explore all three levels, each equipped with the latest in innovative technology. Upon entry, guests are greeted in the Global Welcome Center, where an immense digital global map displays and records every guest’s point of origin as well as bidding them welcome in the corresponding language.  Visitors then proceed to Voices, which tells the personal stories of the men and women who built One World Trade Center, and Foundations, which symbolically connects the audience to the millenniums’ old granite bedrock which is the foundation of Tower One.

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In one of the most notable elements of the experience, visitors board one of five dedicated elevators, termed Sky Pods, to ascend to the 102nd floor in under 60 seconds. Immersive, floor-to-ceiling LED technology in each cab invites guests to experience a virtual time-lapse that recreates the development of New York City’s skyline from the 1500s to present day.

The Sky Pod elevators, among the fastest in the world, bring passengers directly to the SEE FOREVER Theater on the 102nd floor. The SEE FOREVER Theater presents a two-minute video presentation that combines bird’s eye imagery, time-lapse shots with abstract textures and patterns to present the unique rhythm and pulse of New York City to dramatic life in three dimensions.

The Main Observatory space on the 100th floor includes an interactive skyline “concierge” – City Pulse – that allows guests to deeply connect with the landmarks and neighborhoods they observe from above. At City Pulse, global ambassadors are stationed within a ring of HD video monitors and outfitted in gesture recognition technology, summoning imagery and real time information to the screens and providing guests with close-up views and personalized recommendations. The Main Observatory also features the Sky Portal where guests are invited to step onto a 14-foot wide circular disc that delivers an unforgettable view, using real-time, high-definition footage of the streets below.

CLICK HERE FOR A LIST OF ATTRACTIONS AT ONE WORLD OBSERVATORY AND THE PRODUCTION TEAMS INVOLVED

One World Observatory also offers three distinct dining options on the 101st floor available to guests with Observatory tickets, including access to curated eateries from casual café fare to seated fine dining.

One World Observatory is located at One World Trade Center, New York, New York 10007. The entrance to the Observatory is located on the West Plaza located alongside West Street at the Northwest corner of the World Trade Center site near the intersection of West and Vesey Streets. The Observatory is open year round. For more information, please visit www.OneWorldObservatory.com.

One World Trade Center is a joint venture between the Port Authority of New York and New Jersey and The Durst Organization. The One World Observatory team includes The Hettema Group as concept developer and experience designer, architect Montroy Andersen DeMarco, and construction manager JRM.

Experience Rock History with Rare Artifacts During Rolling Stones’ EXHIBITIONISM at London’s Saatchi Gallery

London, UK (July 1, 2015) — The Rolling Stones will stage their first ever major exhibition at London’s prestigious Saatchi Gallery, opening to the public on April 6 2016 until September 2016.  EXHIBITIONISM will be the most comprehensive and immersive insight into a group described by critics as ‘The Greatest Rock ‘n’ Roll Band’, taking over nine themed galleries spread across two entire floors at the prestigious Saatchi Gallery in London. Tickets for EXHIBITIONISM go on sale to the public next week on Friday 10 July 2015 at 9am via www.stonesexhibitionism.com and 10am from Saatchi Gallery.

As well as over five hundred Rolling Stones important and unseen artifacts from the band’s personal archives, the exhibition will take the public through the band’s fascinating fifty year history, embracing all aspects of art & design, film, video, fashion, performance, and rare sound archives. At the heart of the exhibition is of course the Stones musical heritage that took the group from being a hard working London blues band in the early 1960’s to becoming inspirational cultural icons adored by millions.

DHL is proud to be the Presenting Partner of EXHIBITIONISM – The Rolling Stones first ever global touring exhibition.

Over five decades the Stones have shaped popular culture, often in their own image, and this exhibition will look back through every facet of the band’s career to offer a unique perspective that only the bands own archive can provide. EXHIBITIONISM will be the largest touring experience of this kind ever to be staged by a band or artist, and continues the proud tradition by the band of groundbreaking innovation combined with the highest production values.

EXHIBITIONISM has taken three years of meticulous planning and will offer a comprehensive insight into the band in a way that has never before been attempted.  The exhibition is an interactive tour through the band’s vast artistic oeuvre, and includes original stage designs, dressing room and backstage paraphernalia; rare guitars and instruments, iconic costumes, rare audio tracks and unseen video clips; personal diaries and correspondence; original poster and album cover artwork, and unique cinematic presentations.  Collaborations and work by the vast array of artists, designers, musicians and writers will be included in the exhibition – from Andy Warhol, Shepard Fairey, Alexander McQueen, and Ossie Clark to Tom Stoppard and Martin Scorsese.

Mick Jagger commented, “We’ve been thinking about this for quite a long time but we wanted it to be just right and on a large scale. The process has been like planning our touring concert productions and I think that right now it’s an interesting time to do it.”

Keith Richards commented, “While this is about The Rolling Stones, it’s not necessarily only just about the members of the band. It’s also about all the paraphernalia and technology associated with a group like us, and it’s this, as well as the instruments that have passed through our hands over the years, that should make the exhibition really interesting.”

Ronnie Wood said, “The scene was great down the King’s Road in the 1960’s. That was where you went to hang out to watch the fashions go by. So it is appropriate that our EXHIBITIONISM will be housed at the wonderful Saatchi Gallery.”

Charlie Watts added – ‘’It’s hard to believe that it’s more than fifty years since we began and it is wonderful to look back to the start of our careers and bring everything up to date at this exhibition.’’

Gordon Innes, CEO London & Partners, the Mayor’s official promotional company for London said, “It’s fantastic that London is set to host the world’s first international exhibition celebrating what is arguably the world’s greatest Rock and Roll band. The Stones are synonymous with London and what better setting than the Saatchi gallery to bring the band’s incredible journey to life.”

EXHIBITIONISM is promoted and presented by Australian company iEC (International Entertainment Consulting) with the full participation of Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood. The immersive exhibition will use nine different rooms spanning over 1,750 square meters, each with its own distinctly designed environment, that will show how the band has changed the way we experience rock and roll.

The exhibition will start with an introductory ‘Experience’, giving visitors a look back at the high points of the band’s career through a new film, with a high-octane soundtrack. It will then be all the way back to the band’s beginnings and take you on a remarkable journey that made them the Greatest Rock n Roll Band in the World

Tickets for the exhibition will go on sale to the general public on Friday 10 July 2015 at 9am via www.stonesexhibitionism.com or 10am at Saatchi Gallery. It is planned that following the London exhibition,EXHIBITIONISM will visit eleven other global Cities around the world over a four year period. The international tour will be proudly presented by DHL. Visit www.stonesexhibitionism.com for more information.

Mohegan Tribe and Incheon International Airport Announce Long Anticipated Casino Resort

Uncasville, CT, USA and Incheon, South Korea, (June 30, 2015) — The Mohegan Tribal Gaming Authority (“MTGA” or the “Authority”) operator of Mohegan Sun, Mohegan Sun Pocono and Resorts Casino Hotel, and Incheon International Airport Corporation (“IIAC”) today announced that they have finalized a concept agreement and unveiled new details of its proposed partnership to develop, build and operate a first-of-its-kind gateway entertainment district adjacent to the airport on the IBC-2 site in Incheon, South Korea.

The proposed resort will be named the Inspire Integrated Resort (“Inspire”), and will create an epicenter for Korea’s growing entertainment, tourism and hospitality industry. The project will lead a paradigm change from shopping-centered tourism to culture and entertainment-based tourism, will connect with the airport’s transit tour program, and will create synergy with the “Paradise City” development located on IBC-1 site adjacent to the airport. Upon its completion, the visionary integrated resort will create the only “Airport City” development and will firmly establish Incheon International Airport as among the most unique destinations in the world while providing significant benefits to South Korea’s economy.

Bobby Soper, President of MTGA, said, “We are pleased to progress to the next stage of our proposed partnership with IIAC by finalizing a conceptual agreement on Inspire, a visionary, first of-its-kind resort that represents the next major evolution in the global hospitality, tourism and gaming industries. We are excited to extend the unique Mohegan Sun brand with the support and collaboration of IIAC as we work to develop a must-visit destination. We also look forward to playing a meaningful role in contributing to Korea’s dynamic economy.”

President and CEO of Incheon International Airport Corporation, Park Wan-su, said: “We have enjoyed working with the Mohegan Tribal Gaming Authority and are pleased that we share the same vision for enhancing Incheon Airport. We believe that when combined with our existing services and amenities, Inspire will not only cement Incheon Airport’s position as the best airport in the world but also as a top leisure destination in Asia. MTGA’s performance track record and ability to attract world-class entertainers will help usher in an exciting new phase for Korea’s flourishing tourism industry. We look forward to benefiting from MTGA’s expertise and collaborating with our existing partners and 40,000 employees to execute on this vision and deliver exceptional experiences for our guests.”

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Inspire will feature world-class entertainment and hospitality attractions. The development is expected to house more than 300,000 sq. meters of gaming and entertainment space and will also include, but not be limited to the following features:

  • –The first and only destination resort in the world with an adjacent private air terminal (FBO);
  • –Two-tower luxury hotel complex with 1,000 guest rooms, which will be split between 300 6-star rooms and 700 5-star rooms;
  • –More than 18,500 sq. meters of retail, food, art and music entertainment experiences, including a Korean village celebrating Korean food, and music,  and a Native American cultural and arts experience;
  • –Over 60 of the most sought after luxury retail brands in the world and over 20 food and beverage concepts;
  • –A Korean cosmetics and beauty hub, including an iconic “Fountain of Youth” feature, promoting Korea’s dominance in Asia in this area;
  • –The largest entertainment arena in South Korea with capacity for up to 20,000 attendants for Class-A acts, cultural and arena sport events that have become synonymous with Mohegan Sun properties;
  • –An Indoor-Outdoor amusement park with 18,500 sq. meters of the latest high-tech amusement rides and more than 12 outdoor attractions; and
  • –A 20,000 square meter casino with 250 tables and 1,500 slot machines.

The first phase of development for Inspire is expected to contribute $1.6 billion (USD) in Foreign Direct Investment to South Korea. At the same time, approximately 24,000 jobs are expected to be created during the first phase of development of the resort. Construction costs estimated for the development of the private FBO are $35 million (USD), approximately $320 million (USD) for the entertainment arena and $140 million for the theme park, Inspire is expected to provide significant benefits to the South Korean economy and advance the Korea Tourism Organization’s (KTO) goal of attracting 20 million international visitors annually by 2020. Details of Inspire will be available in the coming days at www.MoheganSunInspire.com.

The Authority and IIAC expect to agree to terms on a scope of work proposal by the end of the year. Consummation of the conceptual agreement and development of the project is subject to certain governmental and regulatory approvals, including, but not limited to, MTGA securing a gaming license from the Korean Ministry of Culture, Sports and Tourism.

Carnegie Mellon University to Host TEA SATE ’15 on September 17-18

Burbank, CA, USA — The Themed Entertainment Association (TEA) added the SATE conference to its slate of industry events in 2007, to foster dialog in the business community about the methodology of Experience Design. The SATE acronym stands for Story + Architecture + Technology = Experience. SATE also alludes to a collaborative culture of production, in which designers, technologists and clients work closely together from the early stages of a project, in a team structure often more horizontal than hierarchical.

This year’s SATE ’15 Design Conference will take place at Carnegie Mellon University in Pittsburgh, September 17-18. Visit http://www.teaconnect.org/Blog/SATE-Blog/index.cfm?id=5816 for full information on sessions, attending, and to purchase tickets.

CLICK HERE TO ACCESS PREVIOUS SATE COVERAGE FROM INPARK MAGAZINE

 

SimEx-Iwerks Introduces SkyRide Attraction Simulator

Toronto, ON, Canada —  SimEx-Iwerks Entertainment is pleased to announce SkyRide – its new attraction simulator technology.

SkyRide’s superior electric motion platform capabilities, together with laser projection and our extensive film library, provide the audience with a fully immersive flying experience. Attractions where flight and suspended disbelief oriented experiences are the objective, will find SkyRide a compelling product.

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In 1984 SimEx-Iwerks brought to market “Tour of the Universe” at the CN Tower in Toronto.  ‘Tour of the Universe’ was the industry’s first such travelogue type simulated flight experience that allowed travellers to tour the universe.  Japan and other destination locations followed with local flight content.

Later, SimEx provided a new generation of travelogue technology with SkyRide at the Empire State Building. Geared to tourists, SkyRide is still is a major destination attraction in New York after 18 years.

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Currently being installed are similar travel experiences, in multiple locations, using SimEx 4D Theater flight simulator technology.

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Today, with the announcement of its new SkyRide, SimeEx is providing another generation of simulator attraction equipment that could take guests on a flight around your location.

Kidzania Opens 19th Educational Fun Center Worldwide in London

Mexico City, Mexico — The grand opening on June 25th of KidZania London marks KidZania’s 19th location where kids can experience the inner workings of a kid-sized city with careers of every kind –from firefighter to chocolatier to radio personality. Today, KidZania is a global phenomenon and one of the world’s fastest growing educational entertainment brands with 19 locations in 16 countries –accounting for more than 42 million visitors since first opening in 1999.

At KidZania London, children ages 4-14 will discover an ultra-realistic, kid-sized indoor replica of a city that is brought to life with 48 real-world establishments and 60 different careers. Built on an unwavering commitment to help children realize their potential, KidZania is designed to inspire children to make their own discoveries about the world and ready them for a positive and healthy future.

“As the capital of Great Britain, London was an obvious choice for the first KidZania in the UK,” said Xavier López Ancona, president of KidZania. “KidZania endeavors to open a child’s eyes to the world in a way that inspires and delights, and where better to experience such a city than in London –one of the world’s most vibrant, eclectic and evolving cities.”

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KidZania London, a 75,000 square foot city located at Westfield London, offers a variety of establishments, including a hospital, animation studio, stadium, bakery, fire station, beauty salon, music academy and more. Additionally, KidZania London offers several culturally relevant and unique experiences like:

  • –A garment recycling shop by H&M,
  • –A pit lane experience focused on sustainable energy by Renault, and
  • –A smoothie factory inspired by Innocent to teach kids about food origin.

“At KidZania, we believe experiential learning – our unique blend of education and fun – lets children explore new concepts, try new things, problem solve, and work together as a team,” said Joel Cadbury, co-founder of Longshot Kids Ltd., the franchise operator of KidZania London. “We are thrilled to bring this one-of-a-kind, rich learning environment to the families, educators and tourists of Great Britain.”

KidZania London features the following premier global and local brands to help authenticate every experience: Alder Hey Children’s Hospital, Bank of England, Big Yellow, Bose, British Airways, Cadbury, Compass Group, Crêpe Affaire, Dorsett Hotels, Early Learning Centre, Eat Natural, Global Golden Tours, Gourmet Burger Kitchen, H&M, Innocent, Lavazza, Mothercare, PictureAir, Pokémon, Renault, Roland, Scouts, Unilever and Vitabiotics.

Learn more about KidZania London at www.kidzania.co.uk or on Facebook at www.facebook.com/KidZaniaLondon

Disney Announces New Chief Financial and Strategy Officers

Burbank, CA, USA (June 30, 2015) — Christine M. McCarthy has been named Senior Executive Vice President and Chief Financial Officer and Kevin Mayer has been named Senior Executive Vice President and Chief Strategy Officer of The Walt Disney Company, effective immediately, it was announced today by Robert A. Iger, Chairman and Chief Executive Officer.

“Christine has done an incredible job as Disney’s Treasurer over the past 15 years, and her strong leadership and keen financial acumen make her an ideal Chief Financial Officer,” Mr. Iger said. “She is highly respected in the finance sector, and in this new role she will have even more impact on creating value for Disney shareholders.” Ms. McCarthy will report directly to Mr. Iger.

“Kevin has overseen Corporate Strategy and Business Development at a time of unprecedented growth for Disney, playing an integral role in our successful acquisitions of Pixar, Marvel and Lucasfilm,” Mr. Iger said. “With this promotion to the new role of Chief Strategy Officer he will continue to focus on growth opportunities and help position the company for the future.” Mr. Mayer, who previously reported to the Chief Financial Officer, will jointly report to Mr. Iger and Thomas O. Staggs, Chief Operating Officer.

As CFO, Ms. McCarthy will now oversee Investor Relations, Corporate Planning and Control, Tax, Corporate Treasury, Corporate Real Estate, Facilities, Integrated Supply Chain Management, and Corporate Citizenship. She succeeds James A. Rasulo as CFO.

EC-#25 FNL.“I am humbled and honored to be entrusted with the role of CFO of this incredibly dynamic company,” Ms. McCarthy said. “Under Bob’s leadership, Disney has delivered record results, and I look forward to working with our talented senior management team as we build on the company’s financial strength and strong balance sheet to deliver shareholder value.”

In Ms. McCarthy’s most recent role as Executive Vice President, Corporate Real Estate, Alliances and Treasurer, she developed a finance team responsible for treasury, corporate finance, capital markets, financial risk, international treasury and investments, credit, and risk management.

Mr. Mayer has served since 2005 as Executive Vice President, Corporate Strategy and Business Development, and in his new role as Chief Strategy Officer he will oversee Corporate Strategy, Business Development, Acquisitions, Enterprise Information Technology, Innovation, Brand and Franchise Management, and Global Corporate Alliances.

hires_kevin_mayer“I’m extremely gratified to be given this opportunity to further expand Disney’s assets and businesses,” Mr. Mayer said. “Disney’s growth has been incredible these past several years, and I am proud of the role my group has played in facilitating that expansion and excited by the strategic opportunities that lie ahead for the company.”

In 2009 and 2011, readers of The Deal named Disney the Most Admired Corporate Dealmaker in the consumer sector.

Mr. Mayer rejoined Disney from L.E.K. Consulting LLC, where he was a partner and head of the Global Media and Entertainment practice. Prior to L.E.K., Mr. Mayer held leading positions at interactive and Internet businesses, including chairman and CEO of Clear Channel Interactive, where he managed all aspects of new media business, including content, sales, business and technology development, and distribution.

Mr. Mayer first joined Disney in 1993 as Manager, Strategic Planning, where he spearheaded strategy and business development for all of Disney’s interactive/Internet and television businesses worldwide. Later, he became Executive Vice President of the Internet group, responsible for the operations, business plans, creative direction and distribution of Disney’s popular Web sites, including ESPN.com and ABCNews.com. Mr. Mayer received his M.B.A. from Harvard University in 1990, and holds a M.S.E.E. from San Diego State University and a B.S.M.E. from Massachusetts Institute of Technology.

Ms. McCarthy has served as Disney’s representative on the board of FM Global since 2010. She is also a Trustee of the Westridge School for Girls in Pasadena, Calif., and a mentor for the National Math and Science Initiative’s STEM program. She has been named multiple times to Treasury & Risk magazine’s “100 Most Influential People in Finance,” and in June, 2015 she was named Treasury Today magazine’s Woman of the Year, one of the profession’s most highly regarded benchmarks.

Prior to joining Disney, Ms. McCarthy was the Executive Vice President and Chief Financial Officer of Imperial Bancorp from 1997 to 2000. She held various finance and planning positions at First Interstate Bancorp from 1981 to 1996, and was elected Executive Vice President in Finance for First Interstate in 1993. Ms. McCarthy completed her Bachelor’s Degree in Biological Sciences at Smith College, where she received an award for excellence in botany, and later earned an MBA in Marketing and Finance from the Anderson School at UCLA.

Electrosonic Awarded for Environmental Excellence by Paper Round at London Zoo Event

London, UK (June 30th, 2015) — Electrosonic was presented with an Environmental Excellence Award at the 15th Paper Round Annual Zoo event on June 5th, World Environment Day. The event, which honours environmental achievements, selected Electrosonic to receive an award for its significant and on-going efforts towards recycling and reducing CO2 emissions.

Held at London Zoo, the event celebrated the environmental achievements of Paper Round’s clients, and donations were made to their chosen charities. Paper Round is a waste management company providing a wealth of waste and recycling services to organisations to help them reduce their impact on the environment. Electrosonic has been a client of Paper Round since 2008.

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“This award demonstrates our ongoing commitment to Environmental Management System ISO 14001 and to reducing our CO2 emissions.” explained Robert Webb, Environmental Manager at Electrosonic. “Electrosonic will continue to move forward with its environmental initiatives and take a leading position amongst its peers in the industry by reducing its impact on the environment.”

With recycling vastly embraced throughout Electrosonic, 2014 saw a tremendous 19 percent increase in the amount of waste that Electrosonic diverted from landfill compared to 2013, equalling an enormous 28 tonnes. Almost five percent of this figure is owed to the sale of scrap wire to the waste, electrical and electronic equipment (WEEE) processing plant Sweeep Kuusakoski. The WEEE processor used by Electrosonic is recognised as one of the most environmentally friendly in Europe. Furthermore, with each sale, 50 percent of the proceeds are used for funding new environmental projects at Electrosonic.

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From recycling to electric vehicles and caring for the abundant wildlife surrounding its headquarters in Dartford, Kent, Electrosonic’s commitment to reducing its impact on the environment is highly prevalent. Numerous environmental initiatives are currently in operation at Electrosonic, and in-line with their proactive nature, more are proposed for the future. The imminent replacement of existing lighting for more economical LED lighting is just one example of the company’s diligence.

Electrosonic’s continuous environmental improvements are supported heavily by its staff. They have a passionate and dedicated environmental committee who meet regularly to discuss new initiatives and proposals. “We endeavour to find new ways of reducing any negative impacts that our operational activities might have on the environment,” commented Emma Shipp, Environmental Committee Member and Graphic Designer at Electrosonic.

The United Nations theme for World Environment Day 2015 was ‘Seven Billion Dreams. One Planet. Consume with Care’. Viewed as a day to stimulate worldwide awareness of environmental issues and encourage political action, it has grown over the years to be a broad, global platform for public outreach that is widely celebrated by stakeholders in over 100 countries.